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Songs from their debut album One Time Bells were pleasant enough: a few catchy hooks here and there and marginally interesting arrangements. In other words, they were about as thrilling and inconsequential as the new Vertical Horizon record, mediocre in songwriting and texture and thoroughly unmemorable...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: Concert Review | 10/17/2003 | See Source »

Interpol’s full length debut, Turn on the Bright Lights, has catapulted them from an underground New York City phenomenon to the national stage. Catch them with Elefant, another New York act, and the Occasion before they get too famous. 7 p.m., $20 general admission, 18+. Avalon, 15 Lansdowne St., Boston...

Author: By Crimson Staff, | Title: Listings, Oct. 17-23 | 10/17/2003 | See Source »

Fulfilling the boundless promise exhibited in her debut effort, The Virgin Suicides, director Sofia Coppola crafts a sublime love letter to both Tokyo and transitory friendship with her newest film, Lost in Translation. Hollywood star Bob Harris (Bill Murray) has been shipped off to Japan to hawk Suntory whiskey to the natives. There he encounters Charlotte (Scarlett Johansson), the beautiful wife of a photographer who spends much of her day staring out her window in hopes of somehow finding herself within the city’s skyline. The pair are soon discovering Tokyo culture and a profundity in their friendship...

Author: By Crimson Staff, | Title: Listings, Oct. 17-23 | 10/17/2003 | See Source »

Their name first appeared a year ago alongside the Coral and the Music, mentioned in passing by the trigger-happy NME. No one’s known quite what to make of them—their debut album, The Decline of British Sea Power, is categorically schizophrenic, undefinable and certainly not a part of any marketable “new rock revolution” scene...

Author: By Crimson Staff, | Title: New Music | 10/17/2003 | See Source »

...where the American Idol business gets dicey. Davis would like RCA to curate the careers of artists; Fuller wants his idols to have long recording careers too, as long as they don't forsake the Idol audience. (Fuller was incensed that Davis spent eight months refining Clarkson's debut for radio rather than getting it to market as soon as possible.) "You have to serve many masters when you have that many people with a vested interest in you," says Ennis. "You can't skew yourself one way and not speak to the people who spent all that time watching...

Author: /time Magazine | Title: Music: Building A Better Pop Star | 10/13/2003 | See Source »

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