Word: debuted
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Dates: during 1940-1949
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...prospect, it looked like just another Manhattan debut, of which there are 300 every year. The New York Times did not even send a critic to Carnegie Hall. The Herald Tribune sent its second-stringer, Jerome D. Bohm. He and a tiny audience of ushers and friends of the artist had the 2,800-seat Carnegie Hall to themselves...
...hours later, Jerome Bohm reported excitedly: "Entirely unheralded, the finest woman pianist since Teresa Carreno* made her North American debut. ... It would scarcely be possible to imagine a more searching, tonally ravishing interpretation...
Patience & Fortitude. Polish Pianist Maryla (pronounced Mariela) Jonas should not have been such a surprise. She made her debut with the Warsaw Philharmonic at nine. Paderewski heard her play, gave her lessons. When Maryla's father objected to a music career for his daughter, Paderewski said quietly: Patience. It is possible that in five, six, seven years she will turn out to be mediocre...
...might test the acoustics. She sat down at the piano at 2:30, played until 8. Said she: "It was a put-up job." She played three years in Latin America, earning enough to pay her way to the U.S., and the $1,400 that a Carnegie debut cost...
While at Juilliard, she won the 1944 Naumburg Foundation competition, was given a free Town Hall debut last March. Conductor Fritz Reiner heard her later, in a private recital, got her to record De Falla's El Amor Brujo and Gustav Mahler's symphonic song, Eines Fahrenden Gesellen. It was actually Reiner who gave Carol her start, but Serge Koussevitzky's enthusiastic ' helping hand last week assured her future...