Word: debuted
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Dates: during 1940-1949
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...years since her debut at the Berkshire Festival, when Serge Koussevitzky had called her "a native Flagstad," Norfolk-born Dorothy Maynor has gone a long way. She has sung with most of the great U.S. orchestras, crisscrossed the U.S. and South America with concert tours. However, like her famed contralto counterpart, Marian Anderson, she has not yet been invited to sing at the Metropolitan Opera...
...Glyndebourne Opera's Rudolf Bing was relaxing in his Manhattan hotel room before returning to London. He had just finished a business errand for Britain's crack opera company; Glyndebourne's U.S. debut at Princeton, N.J. had been set for autumn 1950, and Bing was well satisfied. Then his phone rang. His faintly accented "Hello" was answered by the mellow tenor tone of the Metropolitan Opera's Edward Johnson. Could Mr. Bing attend a performance as his guest? Rudi Bing said he would be delighted. Last week, operalovers the world over learned that Rudi had seen...
Peter Clayton's debut to the Advocate's pages with his story, "Miss Hadley's Lover," falls flat. His account of the struggle of a middle-aged mission teacher with herself reaches the heights of feeling only in awkward spasms. In his attempts to create emotion through language Clayton loses himself in involved prose. His characters lose reality in the process...
...their rotund, accommodating little friends made their debut in March. Sailors on H.M.S. Ganges formed a Shmoo club, English farmers reported that hens were laying Shmoo-shaped eggs, and subscribers sent Shmoo-shaped potatoes. But the postman also brought a mailbag of protests. Reader R.E. Wilkinson thought Shmoos were definitely un-British. Wrote he: "The Shmoos are encouraging the very characteristics that are ruining this country ... lazy-mindedness and the deliberate pursuit of everything that is slovenly and American." A Mrs. Collins found the drawing "ridiculous" and the language "unintelligible...
Boston Symphony. His father and two uncles were violinists in the orchestra. After Fiedler graduated from Berlin's Royal Academy, and made his debut as a fiddler at 17, he took a seat with the Boston's strings himself. Soon after he took to the baton, he became too busy to fiddle. Part of the huge repertory he and the Pops have built up: 103 marches, 98 overtures, 115 suites, 81 piano concertos, 51 waltzes, 45 arrangements from musical comedies. Boston Pops recordings now fill more pages in RCA Victor's Red Seal catalogue (160 titles) than...