Word: debuted
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Dates: during 1960-1969
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...provided a survey of the most recent masterpieces established directors, such as Godard, Kurosawa, Visconti, Ray, and Dreyer. In addition, the New York showing introduced much fresh talent. Three brilliant Eastern European directors, Jan Kadar and Milos Forman from Czechoslovakia and Jerzy Skolimowski from Poland, had their American debut at the Festival...
There is Max von Sydow, the moody, beautiful Swede who made his U.S. debut last winter as Christ in The Greatest Story Ever Told. Still speaking as though he had just finished the Sermon on the Mount, he plays Scott Swenson, a barnstorming crop duster who crashes his plane in northern Mexico and is held by the police for demolishing a water tower. To raise money, he tells the police captain of an old enemy he has seen a moment ago driving through town with a blonde; this fellow just happens to have a price...
...Columbia) gave his first recital in a dozen years last May 9 at Carnegie Hall; this is a recording of that long-awaited performance. The program, which ranges from a Bach- Busoni toccata (Horowitz's good luck piece because it was the first selection on his debut program) through Chopin to Scriabin, shows a variety of technique and mood from lyric tranquillity to bravura virtuosity. The pianist is master of them all. Perhaps most beautiful is the inspired Schumann Fantasy in C Major; the final notes of the second movement float out as if played on an English horn...
...payroll of about ?1,000,000. Mastermind of the scheme is a bespectacled genius (Anton Rodgers) who operates a crime school fronting as a nature clinic where dotty old ladies imbibe mineral water laced with gin. Rodgers' girl friend (Charlotte Rampling) is a pert socialite making her criminal debut as the temptress assigned to dazzle a lieutenant of the armed guards, though much of her wickedness is spent in murdering the Queen's English with such nauseous effusions as "how rave-making" or "supremo!" All of Rotten's cast labors mightily. But on recent evidence, England...
Mademoiselle, which made its debut in 1935, and Glamour, launched in 1939, were brought under the same roof in 1959 by the ubiquitous publisher Sam Newhouse, who owns a controlling interest in both, as well as in Vogue, which he gave to his wife as a 35th anniversary present. Despite common ownership, the two magazines compete earnestly. With a circulation of 635,000, Mademoiselle is the more venturesome of the two, featuring the more avant-garde clothes on the more awkwardly posed models. "They have been criticized for being beat," says New York Times Fashion Editor Pat Peter...