Word: debuted
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Dates: during 1970-1979
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Harvard took a 2-0 lead after the first on runs by Singleton amd Santos-Buch for a change, but Jamie Werly's long-awaited northern starting debut seemed fated from the outset. The big righty at last yielded to Larry Brown in the fourth after giving up five runs, five walks, and hitting three batters...
...Nervous Debut. He has spent four weeks putting final touches to the show, sharing office space in the same building as the Mary Hartman, Mary Hartman crew. He hands visitors who come to his messy office a business card that reads, MY CARD. He is nervous about his prime-time debut, convinced, like the new boy in school, that he won't find any buddies. If he is too outrageous, Chase fears, "people will switch channels and watch the semifinals of the archery." But confidence does not desert him for long. "When you're talking about a prime...
...Crimson did not own the copyright on winning tie-breakers, though. Columbia's number four, Jeff Silver, opened his match against Gerken with a 7-6 first-set victory. But Gerken was not about to let Silver spoil his Palmer Dixon debut and he came back to smoke the Lions, taking a pair of 6-3 sets without much trouble...
...rest of the album is made up of titles like "Heartbeat" or "Passing Time" or "Leaving You"--all pretty standard Bad Co. fare of fast-rocking numbers like their debut record's "Can't Get Enough" or Straightshooter "Feel Like Making Love" interspresed with slower ballads like "Seagull" or Run With the Pack's "Silver, Blue and Gold." Bad Company hasn't really developed along radically new lines, except for theri closer meshing-together as a group and a tighter control over the abrupt transitions from one volume and rhythm intensity to another that flawed passages of their first...
Rudolph's debut feature Welcome to L.A. deserves a couple of critics' stars on guts alone: he has consciously borrowed the impressionistic slice-of-life framework of Nashville and made it work with even less of a plot than Robert Altman's cinematic paradigm. Granted that the basically uncommercial quality of the format has been somewhat offset by the presence of a galaxy of New Hollywood actors; but from a strictly critical standpoint, Rudolph has effectively invited comparisons with his famous mentor that would seem to place his first major work at an almost fatal disadvantage. Yet Welcome...