Word: debuted
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Dates: during 1970-1979
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...nostalgically costumed dancing audience looked like leftovers from that famous last tango in Paris. But the scene was Manhattan's huge, tacky Roseland Ballroom, and the crowd was bebopping to '30s songs like Minnie the Moocher. The occasion: The Pointer Sisters' highly hooplaed New York debut, hard on the spike heels of their hit album, simply titled The Pointer Sisters. "We're not rhythm and blues or jazz. We're a new category−variety," declared Ruth, the oldest of the four daughters of an Oakland preacher. The quartet mixed jive talk with Lambert, Hendricks...
Watergate indicates the debut of a new stage in the relation between capital and the State, between the U.S. and other countries, and between branches of the government. Nixon's setbacks represent not a "triumph of the system," but the persistence of New Deal ideology and legal norms in the post-New Deal United States...
Watergate indicates the debut of a new stage in the relation between capital and the State, between the U.S. and other countries, and between branches of the government. Nixon's setbacks represent not a "triumph of the system," but the persistence of New Deal ideology and legal norms in the post-New Deal United States...
...Dyan Cannon, 35, the zaftig star of Bob & Carol & Ted & Alice and The Last of Sheila, has decided that she can do as well in Las Vegas as in Hollywood. To tune up for her nightclub debut, she has been working out at home in Malibu Beach on bongo drums, conga drums, a guitar and a piano. Dyan was also belting out a few screams as part of her program of primal therapy. "I've spent the last three or four years worried more about what I feel than my career," she said. The screams also loosen...
...sacrifice for the exemplary cast (notably Roger Soyer as the don, Sir Geraint Evans as Leporello, and Heather Harper as Elvira) and Conductor Daniel Barenboim. Only seven years after rearranging a notable piano career to include the baton, Barenboim, 30, made an impressive operatic debut at Edinburgh, bringing forth from the English Chamber Orchestra a powerfully humane and often witty reading ideally geared to Ustinov's provocative ideas about the composer...