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...variation after variation. But until the show’s reputation gets the boost it deserves, the Harvard-Radcliffe Gilbert and Sullivan Players’ (HRG&SP) new production of “Utopia, Limited,” directed by Jeremy R. Steinemann ’08 (an incredible debut) and produced by Ryder B. Kessler ’08 and Benjamin T. Morris ’09, will do just fine...
...after even he’s admitted that he’s losing his edge? His answer is this: lead electro-posse LCD Soundsystem back into the DFA studios and make “Sound of Silver.” As good as the group’s eponymous debut was—and it was quite good, a stunning bricolage of everything danceable from the past three decades—it wasn’t adequate preparation for the band’s newfound nuance, or their emotional breadth. In retrospect, it’s easier to see LCD?...
...disputes the premise: There is childhood, and then it’s over. The ending is generally seen as a premature and inauspicious development.The tragedy of childhood’s end is at the crux of “Ant Farm: And Other Desperate Situations,” the debut collection of comedic shorts by Simon Rich ’06–’07. From the second-grader who realizes that the Silent Game “isn’t actually fun” to an instant-messaging teenage girl whose “innards...
...Klaxons sure can make a ton of noise. This British band’s name comes from the Greek word “klaxon,” which basically means “to shriek.” And sometimes they do just that on their full-length debut “Myths of the Near Future.” The Klaxons are all about creating a fresh sound. While essentially a rock band, elements of both dance and pop music inflect their work. Songs such as “Atlantis to Interzone” and “Forgotten...
...band made its name with a self-titled 1997 debut album that included the hit tracks “Semi-Charmed Life,” “Losing a Whole Year,” “Graduate,” and “How’s It Going to Be.” They followed up in 1999 with “Never Let You Go,” a single off of the band’s “Blue” album. The group’s most recent collection...