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Chester French’s much anticipated debut album, “Love the Future,” is a tour de force scarcely seen in contemporary pop music. The duo of Maxwell C. Drummey ’07 and D. A. Wallach ’07 string their audience along a tangled thread of kitchsy singles, Beach Boy flavored ballads, musical interludes, and even some country twang over the course of the record. And while this errant diversity could otherwise be more than a little off-putting, Chester French pulls it off (though not without a few stumbles) with...
...charm. Luminous details—like Brian’s earnest attempts to adopt a Chinese baby despite his young bachelorhood, and Larry’s inexplicable penchant for mixing purple vodka with pure ethanol while on the job—give each character an idiosyncratic tint. The debut script from Adam Nagata and director Matt Aselton is fresh and quirky; the dialogue alone could drive the awkward humor of the piece even without the nuanced talent of Dano and Deschanel.Furthermore, the film manages to focus on these quirks without overdoing them as indie flicks often do. The silly surface...
...others of the genre. What is most impressive about “Lymelife” is its ability to distinguish itself from the legacy of the flawed-suburbia film and create something wholly new.A film developed by the Sundance Institute, “Lymelife” is the directorial debut of Derick Martini. In it, Martini presents a peeled portrait of suburban life on Long Island. The film follows Scott Bartlett (Rory Culkin), a soft-spoken high school student who is incurably in love with his neighbor’s daughter, Adrianna Bragg (Emma Roberts). But this budding romance blossoms...
...years since she turned down his marriage proposal. “Perfect Fifths,” Megan McCafferty’s fifth novel, is light reading, but it’s also an intelligent, stylized, humorous exploration of the psychology of memory and narrative. Since McCafferty’s debut “Sloppy Firsts,” the Jessica Darling Series has never been firmly in one genre or directly targeted at a clear audience. The first few books straddled the boundary between young adult and mainstream fiction, and as the protagonist and authorial risks have matured, McCafferty...
John Wray, author of the new and notable “Lowboy,” has not had an easy way as a novelist. He wrote his debut, 2001’s “The Right Hand of Sleep,” in a tent in the basement of a Brooklyn warehouse, where he would by-now-famously listen to rats copulate. For his second book, 2005’s “Canaan’s Tongue,” he did his publicity tour by raft down the Mississippi in a (failed) attempt to get people...