Word: debuting
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Dates: during 1980-1989
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...course, but audiences do too. Those who hailed the deaf Beethoven at the Ninth Symphony's unveiling, who lined the streets of Milan for Verdi's funeral, who wept as the dying Brahms took a final public bow at a performance of his Fourth Symphony, who rioted at the debut of Stravinsky's The Rite of Spring were no more sophisticated than today's listeners. It is simply that no one told them they were listening to classical music. What they experienced was not the passive appreciation of a dead art but love and wonder at its terrible, living beauty...
Welcome to Wrestling from New Jersey -- er, The Morton Downey Jr. Show, TV's wildest talk program. Since its debut two months ago on WWOR, the Secaucus, N.J.-based superstation, Downey's verbal slugfest has made Phil's and Oprah's "lively" discussions look like sherry-sipping college seminars. Critics are appalled ("A disgrace to television," said Kay Gardella of the New York Daily News), but ratings are rising, and blue-collar fans are flocking to the studio for tapings. After just two weeks, all the seats were booked through the end of the year...
Tchaikovsky conducted there, 16-year-old Jascha Heifetz astonished its audiences, Arthur Rubinstein made his U.S. debut upon its stage. Yet classical concerts are only a part of Carnegie Hall's history. Audiences have been harangued by Winston Churchill, diverted by Lenny Bruce and serenaded by Frank Sinatra, who observed that "performing in Carnegie Hall is like playing in the Super Bowl." These and many more celebrities make dazzling reappearances in Richard Schickel and Michael Walsh's Carnegie Hall: The First 100 Years (Abrams; 263 pages; $49.50), a valentine by two TIME critics who are manifestly in love with...
There are two funny cameos--Oprah Winfrey plays herself and Rob Reiner plays Larry's fast-talking agent Joel. Saxophonist Branford Marsalis, making his movie debut as Larry's friend Lester, has a charming screen presence during his regrettably few screen minutes...
There are only several moments when it seems obvious that Momma is DeVito's directing debut. The movie starts off at a breakneck pace that it just barely manages to maintain. But just when you think that DeVito is running out of energy, he comes up with even a sharper sight gag, or Stu Silver's script comes up with another great line...