Word: debuting
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...movies, The Bounty Hunter, starred that offscreen love pair Jennifer Aniston and Gerard Butler - Jenni-Butt to the gossip rags - in a romcom battle of the exes. Another, Repo Men, sent Jude Law and Forest Whitaker cavorting through a high-tech dystopia. The weekend's third big debut, Diary of a Wimpy Kid, boasted no stars, an inexpensive marketing campaign and low expectations from industry gurus. All it had going for it was a popular series of kid-angled novels by Jeff Kinney, who last year was named one of TIME's 100 Most Influential People...
...example, Tim Burton. At 51, Burton still has the otherworldly air of a bright kid distracted from conversation with adults by the crazy-beautiful pictures playing in his mind. Since Pee-wee's Big Adventure, his 1985 debut feature, Burton's signature films have dwelled in the realm of arrested infancy. When he hasn't adapted children's classics (Sleepy Hollow, Charlie and the Chocolate Factory), he's confected his own scary, sweet bedtime fables (Edward Scissorhands, The Nightmare Before Christmas, Corpse Bride). The typical hero of these films is a na�f who stumbles into a world that threatens...
Titus Andronicus named themselves after Shakespeare’s goriest play. Just as this would imply, their lo-fi punk rock sound abounds with vocal violence and instrumental incursions. The band’s 2008 debut album, “The Airing of Grievances,” was a blast of anger and furious rock infused with a surprising amount of humor. Lyrics and song titles, as well as the album’s title referencing the “Seinfeld” holiday of “Festivus,” were a foundation for the album?...
...strange amalgamation of shrill tones bookended by segments that appear to have been recorded outside. The song is certainly different, but its oddness is remarkable only because it distinguishes itself from much of the rest of the album, which suffers from the conclusion that nine years after breakout debut “The Tyranny of Distance,” TL/Rx can still rock out—it’s just standard fare...
Though “The Monitor” takes up this new narrative, Titus Andronicus focus most on maintaining the anti-suburban message of their debut, describing their irreverent, sometimes self-loathing, enthusiasm for their roots. On “Theme From ‘Cheers,’” this irreverence takes the form of a drinking song dealing with youthful drowning of sorrows and building of friendships with alcohol and cigarettes. Other times, the band deals with their inability to escape personal repugnance, such as when they chant the mantra of “You will...