Word: debuting
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...Singapore-born and San Francisco-based writer Wena Poon is nevertheless banking on the continuing appeal of émigré literature with a debut collection of short stories that takes as its theme the Singaporean diaspora. Given that the latter has been so infrequently explored, Lions in Winter has a greater chance of being fresh than a comparable Chinese or Indian work - but instead, it lapses, at least in part, into the clichés that bedevil stories of Asian deracination...
...McDonagh's plays, even the most seemingly normal person can turn out to be a sociopath. In his feature debut, In Bruges, the sociopaths turn out to be as normal as the rest of us. The movie offers up carnage, emotional torment and a racist dwarf as it follows two hit men sent to the Belgian city after a job gone bad - but, in the end, it's really just a tale of love and honor. McDonagh describes the film as the most hopeful thing he has ever written. "It's about guilt, redemption, self-sacrifice, and it could have...
...undergraduate, Ceridwen Dovey ’03 never took a creative writing course and eschewed the Harvard literary scene. Instead, she ca me to fiction with the unique perspective of the anthropologist. Now a second-year Ph.D. candidate in anthropology at NYU, she’s having her debut novel “Blood Kin” published in 14 countries and has received sky-high accolades from the likes of J.M. Coetzee.“I wasn’t involved in The Advocate, The Signet, or any of those,” Dovey says...
...ourselves in Knowles’s University Hall office during the months of secret negotiations. He was a delight to interview: warm and witty, by turns conspiratorial confidant and elusive roadblock, but always brilliant and kind. He had unusual flair for a Harvard dean. We will never forget his debut as “Josephine Knowles”—in lipstick, wig, and billowing ball gown—at the Gala celebration of the merger in October 1999. Knowles and then-Provost Harvey V. “Buttercup” Fineberg ’67 serenaded the dignitaries...
...America, but, as his book-flap biography points out, he was born in Russia. And though the fact of his birth does not make him a “Russian writer,” the utmost seriousness with which he approaches literature, very clearly on display in his debut novel, “All the Sad Young Literary Men,” does establish him as a writer in the Russian model. It is not that Gessen sees no room for levity in “Literary Men”—rest assured, there are plenty...