Word: debuts
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Dates: during 1970-1979
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...week was a bravura diplomatic debut for a Midwestern ex-Senator of primarily domestic bent who in the past year had barnstormed the American heartland aboard a chartered commercial jet nicknamed Minnesota Fritz. Mondale successfully managed the transition to Air Force Two and international relations, thanks in part to intensive homework (during Inauguration week, he put himself through a 30-hour crash course). He was also helped by his self-deprecating good humor. "Where's the bed?" he exclaimed with a look of mock desperation on his face as he padded down the aisle in tennis shoes. "Jerry Ford...
Gladys Knight, lead singer of the Pips, here makes what might loosely be called her acting debut. She moves through her role with an unfailingly cheerful, nose-crinkling smile but with almost none of the slick exuberance and sensuality of her musical performances. Occasionally, when the script calls for her to ride somewhere in a plane or car, the camera dwells on the passing snowscapes and Gladys...
When an aspiring songstress nervously faces her nightclub debut, where does she turn for advice? If she happens to know them, perhaps to Jon Peters and Barbara Streisand, producers of that weighty saga of show biz A Star Is Born. Dancer-Actress Lesley Ann Warren has done just that. A veteran of Broadway and such television series as Mission: Impossible, Warren is aiming for bigger fame in a "hot, sexy" song-and-dance act that opens this week in Los Angeles. Streisand has been bolstering Warren's courage with almost daily pep talks ("Get out on that stage, take...
...late David Oistrakh and worked with him for eight years. In 1970 at the age of 23, Kremer won Moscow's esteemed Tchaikovsky Competition. Last week he arrived in the U.S. for the first time, and once again he was a winner. The occasion: a brilliant New York debut at Lincoln Center's Avery Fisher Hall...
Kremer appears headed for international renown. His technique is complete, his tone thinner than some but capable of glorious sunbursts of sound. He is no "Watch me go" virtuoso. His debut program, for example, was devoid of the crowd-arousing Romantic potboilers favored by so many of his Soviet predecessors. Instead, he and his piano accompanist, Xenia Knorre, played Beethoven's dreamy, introspective Sonata No. 10 in G, Op. 96. And wonderfully. They also offered an American work not many U.S. artists take the trouble to learn: Charles Ives' frolicsome Sonata No. 4 (Children...