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...eyes. With his hairline receding and the lines of his face hardening now into some sort of death mask. Nicholson doesn't try to play Chambers as the twenty-three year old punk Cain envisioned. Instead he slouches around like a bored satyr. He seems to revel in his decay, in his unnerving ability to play an utterly reptilian Don Juan...

Author: By Thomas Hines, | Title: Knock, Knock | 4/11/1981 | See Source »

Nowhere has the decline of the U.S. been so evident as in the decay of our once proud space program. There can be no American Renewal unless we again explore the solar system as we did in the 1960s. A generation of young Americans is chomping at the bit wanting to carry the flag into space...

Author: /time Magazine | Title: Letters: Mar. 23, 1981 | 3/23/1981 | See Source »

...Because various dating methods used by geologists, astronomers and paleontologists occasionally produce results that disagree, the whole system of dating the past is unreliable. Radioactive dating, they note, is based on the present rate of radioactive decay, but how do we know that the rate has always been the same...

Author: /time Magazine | Title: Education: Putting Darwin Back in the Dock | 3/16/1981 | See Source »

...harried desk clerk (Peter Howard) is making wake-up calls and morosely entertaining the predictable series of complaints about noise, lack of hot water and general decay. (It sounds more and more like a Harvard House.) Enter a pint-sized pixie of bountiful energy and non-stop chatter. She is never given a name, though she becomes the play's main character: her anonymity seems intended to make her a sort of Everywoman. The character blends saint and sinner both with startling speed, making for a difficult role. Jennifer Raiser does not pull it off. In her earnest enthusiasm...

Author: By Jeffrey R. Toobin, | Title: Heartbreak Hot 1 | 3/11/1981 | See Source »

...Vienna of his day (1862-1931) was phosphorescent in decay: Schnitzler's contemporaries numbered Sigmund Freud, Gustav Klimt, Arnold Schoenberg, Gustav Mahler and Adolf Hitler. Schnitzler chose to puncture that neurasthenic society's pretensions to honor, its pursuit of frivolity and its moral numbness. He knew the absurdity of doubling one's speed when one has lost all sense of direction...

Author: /time Magazine | Title: Theater: La Valse | 3/9/1981 | See Source »

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