Search Details

Word: decca (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Manhattan's WABC; then over Washington's WJSV he holds forth from 6:45 to 9. His weekly stint also calls for a couple of 15-minute transcriptions for Carnation Milk, which are mailed to 38 local stations. Betimes he records sea chanteys and sentimental ballads for Decca, by which he makes $7,000 a year...

Author: /time Magazine | Title: Radio: Early Bird | 7/7/1941 | See Source »

Rumba Rhapsody (Cuarteto Caney, Decca). The Cuarteto's pianist, Rafael Audinot, improvises impressively on a rumba theme. A Latin-American record collector's item...

Author: /time Magazine | Title: Music: June Records | 6/16/1941 | See Source »

...recently Decca, which helped revive the infirm phonograph record market in 1933 with its low-priced discs, has been running a poor third in the re-pressing race. This has been due to the company's emphasis on novelties like Joe Daniels's Hot Shots and popular favorites like Bing Crosby and the Andrews Sisters, at the expense of weaker selling jazz. Then too, Decca's comparative youth prevented it from recording Beiderbecke, Armstrong, Bessic Smith and others who were in their prime before the New Deal. I hold no brief for pre-Repeal jazz. It's like pre-Repeal...

Author: By Harry Munroe, | Title: SWING | 5/26/1941 | See Source »

...months ago Decca put through a deal with the English Parlophone company which has changed its whole reissue setup for the hundred per cent better. For years Decca has used Parlophone's classical catalogue to prop up its own second-rate classical line. But now Parlophone's great Super Rhythm Style Series has been brought out over here under the title of Gems of Jazz--two albums which, taken as a whole, are examples of the hot style at its uninhibited, unrestricted best. Some of them have been known to draw grudging approval even from those Philistines who refuse...

Author: By Harry Munroe, | Title: SWING | 5/26/1941 | See Source »

...they were going to do. As usual, most of the arrangements featured a raft of solos, with Buck Clayton and Don Byas, the new tenor sax artist, particularly outstanding. The rhythm section suffered from the absence of Joe Jones from the tympani, which probably disconcerted the boys a bit . . . Decca waited until Muggsy Spanier had left the Bob Crosby band before issuing the first good record the boys made with Muggsy taking a chorus. It's called "The Mark Hop," and though the powerhouse arrangement is sometimes a little over the heads of the players, Spanier blows a solo which...

Author: By Harry Munroe, | Title: SWING | 5/26/1941 | See Source »

Previous | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | Next