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Word: deccas (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...nightmares ranged from Nelson Eddy's bellowing like a whale to Jose Ferrer's reading of Mozart and Schubert biographies with symphonic accompaniment. Best of the lot: a straightforward dramatization of Oscar Wilde's poignant fairy tale, The Happy Prince, starring Bing Crosby and Orson Welles (Decca, 4 sides) and Balladeer Woody Guthrie's original harum-scarum Songs to Grow On-Nursery Days (Disc, 6 sides...

Author: /time Magazine | Title: Music: New Records, Oct. 7, 1946 | 10/7/1946 | See Source »

...Copyright, 1939, Decca Records...

Author: /time Magazine | Title: Music: King of Calypso | 8/26/1946 | See Source »

Then there is Broadway Actor Ralph Bellamy soberly reading Omar Khayyam's Rubaiyat (Victor, 4 sides), and Orson Welles smacking and grumbling solemn words from Pericles to Lincoln (No Man Is an Island; Decca, 10 sides). Less noisy: A Walk in the Sun (Disc, 6 sides), a chronicle ballad of the famed Texas 36th Division, sung by Composer Earl Robinson. Strictly for their fans is the patter of Jimmy Durante (Decca, 8 sides) and Bob Hope (Capitol, 8 sides...

Author: /time Magazine | Title: Music: The New Records | 8/5/1946 | See Source »

Rachmaninoff: Piano Concerto No. 2 in C Minor (Eugene List, pianist, with the Philharmonic Orchestra of Los Angeles, Alfred Wallenstein conducting; Decca, 10 sides). The concerto which is rapidly replacing Tchaikovsky's as the most heard and most abused, played by President Truman's favorite pianist (TIME, April 22). The late composer's own recording for Victor (1929) remains the definitive one. Performance: good...

Author: /time Magazine | Title: Music: The New Records | 8/5/1946 | See Source »

...Armstrong blues vocal on "Long, Long Journey" should have been something to write home about because the old master of delayed action rhythm and bottom-of-the-well tonsilar gymnastics had not sung any blues for the wax machine since the Decca New Orleans album. For some unknown reason, however, although Satchelmouth's vocal cords seemed to be in the best of form, the record doesn't register. Arrangers of all-star recording sessions encounter innumerable difficulties, especially when they use original tunes. This time the synthetically blue lyric and melody of Mr. Feather's just weren't enough...

Author: By Robert NORTON Ganz jr., | Title: Jazz | 7/16/1946 | See Source »

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