Word: deccas
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Dates: during 1940-1949
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Cracks were opening this week in A.F. of M. Boss Petrillo's dam against phonograph recording (TIME, June 22, 1942). Decca records tried a new wrinkle. Decca's idea was to have vocal soloists accompanied, not by the usual dance band, but by an all-vocal (hence nonunion) ensemble. Decca issued two trial records by Vocalist Dick Haymes with singing support: It Can't Be Wrong and In My Arms; You'll Never Know and Wait For Me Mary. Columbia, working on a similar plan, was about to release two orchestra-less Sinatra recordings...
Other albums, the Decca Chicago Album, and the Bud Freeman album of the old Wolverine numbers of Bix Beiderbecke, are living proofs of the non-existence of true Chicago style since its decline at the beginning of the thirties. The present-day Chicagoans, Bud Freeman, Jimmy McPartland, Eddie Condon, Pee-wee Russell, Joe Sullivan, George Wettling, and all the rest have stuck together, but their music is not a style...
...Miguelito Valdes (real name Eugenio Lazaro Miguel Izquierdo Valdes y Hernandez), whose vigorous song-shouting has been featured with both Cugat and Machito. With the latter's band, big, bull-like Valdes recently recorded an album of his guarachas (risque ballads) and pregons (street-vendor songs) for Decca. He sings in a variety of moods from the comic to the truculent, but always with a full head of steam. He grew up on the Havana docks, became a prize fighter, started as a singer when the Havana Riverside Casino fished him out of tough waterfront cafes. Last week Valdes...
...Ellington keeps poking his head in, it's because he keeps making news. This time it's in the form of two fine albums of re-issue, one Victor and one Brunswick, now a Decca subsidiary. The Brunswick has the edge in quality, and the advantage of having many sides unavailable for more than ten years. "Birmingham Breakdown" is remarkable for being the only Ellington with a Dixieland breakdown ending, and "Wall Street Wail" has always been one of my favorites...
Then again, the Brunswick records are twenty five cents more cache, and the surfaces are the same miserable Decca surfaces. In addition, three titles are duplicated in the two albums though the performances are different: "East St. Louis Toodle-Oo," "The Mooche," and "Mood Indigo," The first two should be in every collection because of Bubber Miley's fabulous growl trumpet...