Word: deccas
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...British newspaper columnist Decca Aitkenhead'sThe Promised Land (Fourth Estate; 217 pages). falls neatly into the second group. Touted as a non-fiction travel guide "in search of the perfect E," it follows Aitkenhead and her hubby Paul as they wander through America, Southeast Asia, South Africa and the Netherlands looking for a way to recapture their early transcendent experiences on Ecstasy. If the words "drugs" and "travel guide" trigger sudden flashbacks of Alex Garland's backpack bible The Beach, don't get excited?this adventure pales in comparison. Not only does Aitkenhead attempt the same jaded been-there, done...
...featured on a 1995 album cover as if she had just won a wet-nightgown competition, record companies have been prowling for accomplished female musicians capable of playing fiddle at a high, steamy pitch. In bond (the "b" is lowercase in deference to 007 copyright lawyers), U.K.-based Decca Records has found its own variation of Sex in the Symphony. Released in 2000, the group's first album, Born, topped classical music charts around the world, selling more than 1 million copies to date. The quartet is often dubbed the "classical Spice Girls" and "Vanessa-Mae times four...
...most hated woman in England." Just as scandalous was Unity, a close friend of Adolf Hitler's and so worshipfully devoted to him that she shot herself in the head when Britain declared war on Germany (she survived with some brain damage; Hitler paid her German hospital bills). Jessica ("Decca"), a restless would-be communist, eloped with a cousin who was also Winston Churchill's nephew. She later moved to the U.S. and had great success with her muckraking book on the funeral industry, The American Way of Death...
...Blackpool pub. John offers a basso-preposteroso spoken verse: "My darlin'...I looked into your eyes, and I could see a National Health eyeball..." The band brought the same proto-camp tone to covers of Three Cool Cats and Sheik of Araby, on a failed audition tape for Decca Records on New Year's Day, 1962. Raw and cheeky, the Beatles sound at best like a dance-hall novelty act. You wouldn't have signed them either...
Though some of our colleagues at WHRB may suggest that these two symphonies are warhorses long overdue for the glue factory, Kleiber provides remarkably incisive and dramatic readings of both, perhaps even overshadowing his father's accounts on Decca. Although the German critical contingent criticized Kleiber's opening of the Fifth for its triplet tendencies, one can dismiss those caveats in light of the deliciously ferocious energy and forward momentum. An obsessive attention to detail is apparent, and the Vienna horns in particular have rarely sounded so resplendent. Remarkably, all of the repeats have been lovingly restored, and with great...