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...fire (TIME, July 14), Cinemogul Sam Goldwyn decided to fire Director Rouben Mamoulian.Reason: "Differences of opinion." "I have the greatest respect for Rouben Mamoulian," said Sam, "but . . ." Said Mamoulian, who directed both the original play and the original musical: "Mr. Goldwyn's bland statement hides a story of deceit and calumny. In a suit which I propose to file, it will be necessary at long last to expose his publicity greed, his professional hypocrisy and selfishness." Mamoulian's examples: Goldwyn insisted that he be "identified publicity-wise as the sole creator of Porgy and Bess, and thereupon...

Author: /time Magazine | Title: People, Aug. 11, 1958 | 8/11/1958 | See Source »

LOUIS WOLFSON got out from under SEC charges of manipulating American Motors Co. stock by signing consent decree pledging not to perpetrate "fraud or deceit" on future buyers of A.M.C. shares. SEC action was light wrist slap for Wolfson, who made about $1.7 million in A.M.C. stock dealings, now avoids a public airing of his deals. But in future attempts to move in on corporations, Raider Wolfson probably will have to show on his proxy that he was once restrained by SEC for fraud...

Author: /time Magazine | Title: Time Clock, Aug. 11, 1958 | 8/11/1958 | See Source »

...just been my pleasure to read the review of Masters of Deceit, which appears in the March 31 issue of TIME, and I want you to know how much I appreciate this frank appraisal of my book. It is my earnest hope that it will assist in alerting some complacent Americans to the real threat posed by the atheistic Communist movement...

Author: /time Magazine | Title: Letters, Apr. 21, 1958 | 4/21/1958 | See Source »

MASTERS OF DECEIT (374 pp.)-J. Edgar Hoover-Holt...

Author: /time Magazine | Title: Books: J. Edgar's Accounting | 3/31/1958 | See Source »

Home from the Hill is notable for its firm evocation of small-town attitudes. Like Faulkner, Humphrey knows that customs, especially Southern customs, are as important as life itself, and that to flout them can mean inviting death. Unlike Faulkner, he can unravel fabrics of suspicion, deceit, envy, love and hatred without getting the strands into a seemingly unmanageable snarl. His fine hunting scenes create a nostalgia for a vanishing side of U.S. life, and the crash of Theron Hunnicutt's ideals marks the passing of a Southern code of conduct. A book that a bit too plainly shows...

Author: /time Magazine | Title: Books: New American Tragedy | 1/27/1958 | See Source »

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