Word: declaiming
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Dates: during 1930-1939
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...rich part requires her to twitch out the interpretation of a factory girl so anxious to perfect her histrionic technique that she constantly tells lies so that she will have to practice acting. The part also requires her to run through the balcony scene from Romeo and Juliet and declaim about the angel voices, as Joan of Arc. Poor little Paulette Goddard-co-starred presumably as part of the build-up for a forthcoming appearance as Scarlett O'Hara-comes off second-best but, as a more sophisticated inmate of the Ecole Nationale des Arts Dramatiques she wears...
They have a young actor and actress die backstage on the first night of the Alexandria's career, and thereafter these two -along with another dead actor-appear as ghosts, whisper from the wings, declaim before the footlights, bob up in boxes, feverishly exhorting the theatre -their theatre-not to die. In Act I this disembodied trio communes with Shakespeare, in Act II with...
...Miss Utley has been called by newspapers the "Garbo of the Pulpit" and the "Terror of the Tabernacles"; by Dr. Straton the "Joan of Arc of the modern religious world." This reverend miss once declared: "If I were a man, I'd never marry a woman preacher. They declaim too much." But two years ago a shoe salesman named Wilbur Eugene Langkop heard Evangelist Utley preach in Quincy, 111., drove her to Hannibal, Mo., followed her thereafter on the preaching tours she makes in the Midwest, since she has no permanent pastorate. Ignoring her advice, Salesman Langkop last week...
...legal ups-&-downs, the Opposition is given a curt inning. An actor, who evidently did not see dynamic young President Wendell Willkie of Commonwealth & Southern Corp. in the MARCH OF TIME'S TVA sequence last year, dodders out as Mr. Willkie in a white wig to declaim: "The duplication of transmission systems and the giving of money from the Federal Treasury to cities to duplicate our distribution systems is undermining the credit of companies in the TVA area . . . destruction . . . inevitable . . . cruel jest." But by this time the sheer momentum of Playwright Arent's show has carried...
Packed with more downright charm and fun than any other show on Broadway, High Tor droops only occasionally when Miss Ashcroft or an incidental Indian has to declaim some of Playwright Anderson's indefatigable verse. As to acting, more important theft than the stage bank robbery is Actor Charles D. Brown's outright steal of the whole show in the part of De Witt, the oldest and saltiest Dutchman. For years cast as a theatrical cop or robber, Actor Brown comes into his own at last when, in pantaloons and a huge hat, he comes to grips with...