Word: deco
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Dates: during 1970-1979
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What seems to bring Tots in Tinseltown slightly above the horizon of mediocrity isn't really a coherent whole: the art-deco sets by Frank Colavecchia, especially the backdrop for Preston Folded's Hollywood home; a few of the costumes by Barry Odom--one eye-catcher was Henna Hoofer's feathery outfit for the imaginary movie number, "Pigeons of My Heart"; and Ronald Melrose's music, which goes so far as to include an anomaly of sorts in Tots, a serious lost-love song called "Minus Me." All this floats around in a melange of parody and self-parody that...
...woman who craves notable nails must have patience as well as money. Top manicurists charge up to $65 for a full art deco hand. The painting and varnishing take up to two hours, and the nails need another hour to dry. Why do they bother to dress up their nails? Explains Paula Johnson: "Most women need something like this as an ego booster. They need people to say, 'How beautiful!' or 'How strange!' " A more practical explanation is advanced by Faye Cummings, a Los Angeles accountant and grandmother who is one of Johnson's regulars...
...sequence down the ramp of the Guggenheim museum, blend almost imperceptibly into studies for "Amorpha: Fugue in Two Colors." This painting is too large to be hung where it should chronologically be placed; one has to descend in suspense through Kupka's "pseudo-Expressionist," "pseudo-Mondrian" and "art deco" periods before finding it, at the bottom. "Fugue," painted in 1912, is indeed greater than anything else Kupka ever did. It represents a culmination of his nonprofessional interests--astronomy, music, and mysticism--as well as his artistic abilities: his skill with color, the grace of his line, and the complex nature...
Cadiff's production is enlivened by Gary S. Gluck's striking art deco sets and generally fine choreography. Especially well done are large chorus numbers like "My Darlin' Eileen"--which features the rich harmonizing of a strong male chorus, ably performing Irish jig steps--and "Swing," a '30s number in which black-skirted and leotarded dancers slink their way across the stage...
...Paris, it's New Jimmy's and Le Regine. In Monte Carlo, the snob spots for drinking and dancing are the Maona (Tahitian), Para-dize (Brazilian) and New Jimmyz (art deco). The woman who manages all this, sometime Singer Regine (nee Zylberberg), 45, now plans new discothèques in Rio and Manhattan. "Life begins with the first cocktail," says the lady who introduced le twist to Paris. "She only sleeps three hours a night," adds her husband and former secretary, Roger Choukroun. The cabaret queen is also branching out into fashion design. Her first collection, introduced...