Word: deco
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Dates: during 1980-1989
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Aldredge's costumes, which tend towards satin and well-tailored fits, flatter the actors well, as do David Mitchell's sets and Tharon Musser's skillful lighting Mitchell creates a lovely art-deco Parisian living room, with a satin chaise, modernist artwork and large, slanted windows. And Katselas also surrounds his principals with accomplished performers Cullum, who won Tony Awards for Shenandoah and On the Twentieth Century, blends naivete with an almost treacly love for Amanda to create a character who seems unbeatable despite his efforts to the contrary. With a breathless voice, and a fey, almost stupid demeanor. Walker...
...less operatic scale, however, he is convincing. Perhaps the best work in the show is Pressure, 1982-83: the white face of a worried, singlet-clad mime in the lower half and, above it, the cold, oppressive ziggurat of an art deco-style New York building. The film noir dramatics of Longo's work are tuned down, and a subtler pathos comes through, the surprise being that Longo was able to extract it from such obvious cliches as the Urban Clown and the Faceless Skyscraper...
...namesake, Irwin Chanin, 91. The architect is being honored by his old alma mater, New York's Cooper Union, in a retrospective. Chanin designed eight Broadway theaters and two monumental apartment houses on Central Park West. Perhaps his most cherished work is his personal suite of art deco offices on the top floor of the Chanin Building. The bathroom alone, done in glass, mirror and gold plate over bronze, cost $15,000 when it was built in 1929. "After all these years," says Chanin, "the offices still inspire me to come into work every morning...
...fortunate artists who have lived long enough to luxuriate in their own revival. The acknowledged master of art deco in the 1920s and '30s, he created exuberantly fanciful costumes in his Paris studio for Anna Pavlova, Mrs. William Randolph Hearst and Josephine Baker. The sets he designed for the Folies-Bergère and the Ziegfeld Follies were backdrops for the extravagances of the age. In the postwar era, however, Erté's conceits were often dismissed as high camp or low kitsch. Undeterred, he kept on painting the Erté woman, who is the focus of most...
...volume, Erté at Ninety; The Complete Graphics (E.P. Dutton; $75). On the cover is Beauty and the Beast, a serigraph of the quintessential Erté woman, who still rules his world. Coiffed in a peacock's tail, she has wrapped her naked body in the ultimate art deco fur coat, a live black panther...