Word: deco
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With its slums abutting the sea, its raffish hoodlums and its Day-Glo deco decor, Miami is the city to which all Jonathan Demme films aspire. Married to the Mob ended up there, long after Baldwin had played his memorable cameo as a Mafia stiff. Funny thing is that Demme only produced Miami Blues; his colleague from the Roger Corman B-movie Borstal of the '70s, George Armitage, is the writer-director. Funnier still, Armitage has one-upped his old pal. Whereas Demme's movies punctuate flaky comedy with explosions of violence, Miami Blues blends the two moods...
...SCREEN. Dozens of intricate models by designer Tony Walton are on view at New York City's American Museum of the Moving Image. Triple-threat Walton has an Oscar, two Tonys and an Emmy for his work in film, theater and television. Whether creating a gleaming silver-and- white Deco hotel room for Lend Me a Tenor or a ship caught in The Tempest's hurricane, Walton gives life to a world suggested by words. Through August...
...walk through the St. Moritz club car, lately a derelict on a siding in Milwaukee, with broken windows and a cargo of snow, made the figure plausible. The bar is black granite, the baby grand piano an ebony Baldwin. Walls are paneled in embossed dark green leather. Brass, art deco lamps match the brass soffit, a three-inch strip separating walls from a car-long mural of mountain peaks. The ceiling is a rich deep blue, night sky. The car is designed for night, with lamps turned down, and a pianist plays show tunes. Too much good taste becomes...
Since its cluster of art deco edifices was completed on Nov. 1, 1939, Rockefeller Center has been hailed as an urban masterpiece. Tourists flock to its ice rink to watch skaters twirl and to Radio City Music Hall to see the Rockettes do their high kicks with uncanny precision. But last week the Manhattan landmark, which houses U.S. companies ranging from General Electric to Simon & Schuster, took on a fresh symbolism. Control of the 19-building center passed into foreign hands when Japan's Mitsubishi Estate Co. agreed to pay $846 million for a 51% share of the Rockefeller Group...
...Universal's Florida movieland is just a script. Disney's is a tangible fantasy -- real tinsel draped artfully over Hollywood's phony tinsel, an art industry glammed up as an elegant Deco dream. There is a sanitizing genius to the Disney parks, with their canny nostalgia for an America that may have existed only in the lace-valentine heart of a young Walt Disney. And the tactic works best when applying a cartoonist's paintbrush to a world that is fiction, on- and offscreen. Disney-MGM Studios marries movies to theme parks with the astuteness of Hollywood's hottest studio...