Word: deco
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...sets are well done and a vast improvement on last year's efforts. Cafe Ole's backdrop features ornate Art Deco design of marble and gold, and a city layout as good as Batman's Gotham. The best set is in the Metal Shop Nightclub, with its eerie flourescent green ghouls and cage fashioned from Flinstone-style dinosaur bones...
...American retro-decade that filches its economic policies from the 1920s, its deco furniture from the '30s, its favorite movies from the '40s, its short haircuts from the '50s, its dirty- dancing music from the '60s and its galloping egotism from the '70s, why shouldn't the flashiest tour in Los Angeles mix camp nostalgia with giddy grave robbing? And why shouldn't a necromantic like Greg Smith, Grave Line's ! "director of undertakings" and occasional tour guide, make some clean money washing his Forest Lawndry in public? Grave Line is a haunt and a howl for children...
...just had a hiatus for 15 years." This ultimate nightclub reopened last year after a $20 million renovation, and now receives 1,000 calls a day for reservations. "It's what you wanted to have money to spend on," says Joe Baum, mastermind of the dazzling art-deco aerie. Says psychologist Penny Binn, who dances at the Rainbow Room every week with her husband of 27 years: "I don't know of a place where there are so many unattainable things in one spot...
...five times. The service grew to 60 flights a day, 3 million passengers a year. So many people were commuting between the three cities that Pan Am decided to jump into the market two years ago, offering coffee, rubbery bagels, seat phones and boat service connecting a swank art deco terminal to Wall Street. This prompted Eastern to counter with some apple juice of its own. Though Eastern's market share dropped from roughly 80% to 58%, it remained the most profitable segment of Lorenzo's airline empire...
...week, the Los Angeles County Museum of Art (LACMA) has risen from architectural hodgepodge to full-blast cacophony. Where but in Tinseltown could you see such an overlay of styles? First, the flaccid institutional moderne of the original buildings designed by William Pereira in the early '60s. Then the deco-ish hulk of stripes and glass blocks shoved in front of it by Hardy Holzman Pfeiffer in 1986. And now the only major public building by America's maestro of post-Wrightian, off-the-wall kitsch, Bruce Goff...