Word: deco
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...stores like I. Magnin's in San Francisco and Chicago and Bloomingdale's in New York, which has eight departments (including one named In Flight) selling jumpsuitery, they come in soft, billowy silks and satins, polished cotton and gabardine, velvet and crepe de Chine in art deco prints. Head-turning hues include purple, burgundy, fuchsia, aubergine, white and that ol' black magic...
...lines outside the Rainbow Room, whose art deco trappings and bouncy bands have been part of Manhattan's nostalgia bank since the days when young ladies made their debuts there in elbow-length white gloves, may be the longest for any after-theater show in town; it is a place so perfectly preserved in décor and atmosphere that one half expects Fred and Ginger to come tripping down the curving, chrome-railed stairways. The Grill, which long played second sax to the Room, became a supper club in 1965. Its windows were doubled in size...
...armies into battle. Her tomb contained 200 bronze vessels, some 600 sculptures and ritual objects of jade and stone. Most charming among the bronzes is a pitcher in the shape of an owl; among the jades is a stylized crested bird with a sweeping tail that any art deco designer could be proud...
...personal elegance. It is almost as if they were proclaiming their superiority to this frivolous business." But designers and dragons alike could derive some inspiration from Anna Piaggi, contributor to both the French and Italian Vogue, who showed up one day with a large velvet reproduction of an art deco vase perched on her head. Piaggi's Milan millinery was pretty tame stuff compared with her headdress in Paris two years ago: a basket brimming with shrimp and other fresh seafood...
Right from the start, Dali was a glacial opportunist with weak powers of formal invention. He was also precocious and adroit, and so, as one might expect, his early work is an anthology of secondhand manners. He begins as a late-Picasso cubist, turning out bland art deco still lifes that contain a few premonitions of his later imagery; the lank, droopy fish in Moonlit Still Life, 1927, for example, predicts the flaccidity that was to appear in his soft watches and piano lids. But he did not find a style until he came to Paris and met the surrealists...