Word: deconstuctionist
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Dates: during 1994-1994
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Instead of emphasizing the chase and ending with the fairy tale "happy ever after," Kieslowski extends beyond the "happy ever after" to see what comes in the "after." This explosion of the traditional folk tale may be called post-modern or deconstuctionist by some, but these cocktail conversation words seem too obscure to describe what he is doing here. The subtlety of Kieslowski's plot is where the beauty of this film radiates. The viewer only realizes after the film is over the idiosyncratic nature of the events which have unfolded. They have unfolded simply and smoothly, without crash...
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