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This week, most of Pusey's visitors have only been browsing--"touring around to see what's what," as one grey-haired woman said yesterday--and admiring the orange-and-white decor and the asymmetrical passageways...

Author: By James Gleick, | Title: At Last The Library Opens | 2/21/1976 | See Source »

...translation of primitive dance into modern forms. Monk seems to have happened on primitivism in the course of realizing her own sensibility. In the same way she happens on surrealism, fantastic images grounded in reality, and on the style of Oriental theater, the integration of gesture, music and decor...

Author: By Susan A. Manning, | Title: Dream Journeying | 2/18/1976 | See Source »

...what may be the niftiest put-on since early Warhol, attention-getting women are using Pop (or Mom) art to decorate their fingernails (see color). Linda Lovelace trips with stripes and sparkles. Tina Sinatra goes for checks and chevrons in black, blue, purple and yellow. Nancy Reagan displays-what else?-conservative decor, usually pale shades of pink that blend with her complexion. Popular nail orders are for half-moons, hearts, houses, bumblebees, ladybugs and lilies. One Revlonutionary in Los Angeles celebrates Bicentennial themes; other tastes range from pets to presidential preferences. At Mr. Michaels, a Manhattan manicurist...

Author: /time Magazine | Title: Modern Living: Fingernails: Pop (and Mom) Art | 1/26/1976 | See Source »

None of her friends seem to have reciprocated Ottoline's intensity, to have gone beyond the outside decor of flowing gowns and ostrich feathers, past the insistent questioning to the woman beneath. W.J. Turner, a little-known Australian poet, came closest to the truth in his novel The Aesthetes, where he wrote of yet another caricature of Ottoline--that she was "not the physical construction we may shake hands with or photograph, nor the intellectual or conceptual construction Darthy may present to us as a psychological fiction, nor the intuition-image each one of us may have, nor the work...

Author: By Gay Seidman, | Title: A Moth and Her Flames | 1/22/1976 | See Source »

...School of Paris, when French cultural chauvinism was quite as bloated as its American counterpart later became, Kupka labored under a distinct handicap: his obvious foreignness as an artist. His work looked, and in deed was, Northern rather than Mediterranean, full of theoretical obsessions, flights of mysticism, involuted decor, heavy symbolism and transcendental yearnings. There have been greater abstract artists than Kupka, but none so unmistakably Slavic. Later, when Kupka's eminence as a pioneer of abstract art was recognized-his first completely abstract pictures were done around 1910-11-the French tried to claim him as a true...

Author: /time Magazine | Title: Art: Catching the Astral Plane | 10/13/1975 | See Source »

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