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...their context as well. What did he see in Munich? What did he get from other artists' work? The exhibition, closely and intelligently curated by Art Historian Peg Weiss, is therefore largely about the Jugendstil, or youth-style-the art-nouveau porridge of medievalism, forest fantasies, greenery-yallery decor and arts-and-crafts utilitarianism that was cooking in the Munich studios when Kandinsky made his late start as a 30-year-old art student therein...

Author: /time Magazine | Title: Art: Preparing for Abstraction | 2/15/1982 | See Source »

...scattered ball bearings and metal slugs on the floor of the Whitney Museum, the source of their gestures was not hard to find. Distorted traces of Pollock lie like genes in art-world careers which, one might have thought, had nothing to do with his. Certainly Pollock scorned decor. He was not interested in painted hedonism; and yet his practice of painting "all over"-by covering an entire field with incidents that were not arranged in hierarchies of size or emphasis-became, in a stupefied way, the basis of the ornamental "pattern and decoration" mode that came out of SoHo...

Author: /time Magazine | Title: Art: An American Legend in Paris | 2/1/1982 | See Source »

Chief Architect Robert Mathews of Welton Becket Associates began by "unbuilding" the interior. The task was complicated: the original building plans had disappeared over the years. Assembling old photos, early Sears catalogues and newspapers for pictures of authentic decor, "historians found some clues right in the building-a bit of plaster under the assembly speaker's podium became a model for the style of the ceiling molding. Girvigian, scrambling through false ceilings, uncovered keys to the original paint job. Researchers used aerial cameras to map the mosaic floors, which were then taken up, moved and cleaned. Piece by numbered...

Author: /time Magazine | Title: Design: Cheers for a Born-Again Capitol | 1/18/1982 | See Source »

Unfortunately, the performances of the main characters do not do justice to Bergman's script. O'Neal is only somewhat convincing as the nerdy English professor, a man who talks about decor while a beautiful woman is seducing him. When he is called upon to grow in the movie, he manifests the change more in his costume than in his manner. Melato does acceptably as the lusty, Latin, sexually frustrated wife, but she fails to being much originality to this fairly conventional role. As character actors, Warden and Kiel deliver their roles in the usual manner: Warden as the gruff...

Author: By David J. Waldstein, | Title: More Than Just T & A | 10/1/1981 | See Source »

...Crimson is the deep, almost physical attachment most Crimeds have for the building at 14 Plympton Street, for the other people who help put the paper out, and for the integrity of the paper. The attachment is not less amazing if you consider the less than elegant decor of the building, the often bizarrely heterogeneous natures of the dozens of students who make up the Crimson. and the inescapable hard work that goes into...

Author: NO WRITER ATTRIBUTED | Title: An Act of Love | 9/30/1981 | See Source »

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