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...passionate anticlericalism were authentically shocking within France's Catholic tradition, but resemble a charade when plucked from that context. But the freeing of imagination by the surrealists remains a tremendous achievement. Be yond the froth - the ideological absurdities, the rampant narcissism, the window display and chic decor - surrealism remains one of the century's noblest proposals of liberty...

Author: /time Magazine | Title: Art: The Scions and Portents of Dada | 2/6/1978 | See Source »

Mushrooming 273 ft. into the skyline, sited in 52 acres of the central business district, the copper-toned Superdome looks like a happily defected UFO, or-more to Orleanians' tastes-a gargantuan cheese souffle. Inside, despite a decidedly sublunary decor, the building is a mechanical marvel, capable of seating in air-conditioned comfort the entire populations of Andorra, Liechtenstein and Monaco, with room left over for a couple of football teams, four trade exhibitions, a dog show and a few hundred ushers, guards and food vendors. Or, as Orleanians never fail to point out, it could swallow Houston...

Author: /time Magazine | Title: Sport: Superdome Named Desire | 1/16/1978 | See Source »

...white fuselage was badly in need of a bath or a paint job. Also like the Concorde, the Tu-144 had a small cabin with narrow aisles and elbow-to-elbow seating; it carried a maximum of 140 passengers (the Concorde carries only 100). The inaugural aircraft lacked posh decor. Several of its ceiling panels were ajar, service trays got stuck, and window shades slipped down without being pulled...

Author: /time Magazine | Title: SOVIET UNION: Christening the Concordski | 11/14/1977 | See Source »

...present instance, he and Co-Writer Mardik Martin show no more interest in exploring the real film star than did the early moguls. As usual, Russell hammers one over the head with gaudy and excessive cliches of a bygone era's decor. They have a certain visual excitement, but they say more about his own feverish temperament than about the spirit of the age. The use of Rudolf Nureyev for Rudolph Valentino was canny in conception-both men display an animal magnetism that audiences have found irresistible. But Rudy I had a very different appeal from Rudy...

Author: /time Magazine | Title: Cinema: Rudy II as Rudy I in a Gaudy Bust | 10/17/1977 | See Source »

...fault of this particular production. The theater is tiny (about one hundred seats on three sides of a floor-level stage), and which brings the audience uncomfortably close to the intense emotionality onstage. Watching the play becomes like eavesdropping on the people who live through the fire-door. The decor and lighting never change, and the costumes look as though they'd been thrown together out of somebody's attic...

Author: NO WRITER ATTRIBUTED | Title: Too Many Trees | 10/13/1977 | See Source »

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