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...staterooms, naked bulbs dangled from wires, handles and racks fell off in passengers' hands, and plumbing and soundproofing were erratic. Though some of the finished public rooms were beautifully furnished in suede and velvet, many rooms showed misguided efforts to cater to an unhappy estimate of American tastes. Decor ran from motel modern to floating Howard Johnson's. One Cunard official tried to explain the limp bill of fare: "What we are trying for is decent middle-class food. We are not pretending to be the equal of big, first-class London or New York restaurants." By contrast...

Author: /time Magazine | Title: Shipping: The Unlucky Queen | 1/10/1969 | See Source »

...DECOR INTERNATIONAL...

Author: NO WRITER ATTRIBUTED | Title: Christmas Gifts For Each and Everyone | 12/12/1968 | See Source »

...relaxed place to take a bottle of booze and a date for some quiet conservation. It costs half a buck, and the abundant free soft drinks and the graceful decor (that maybe only Dudley House could provide) are easily worth that price. The performers are worth much more...

Author: By Frank Rich, | Title: Cabaret | 10/14/1968 | See Source »

...comparison of Les Cousins with Marie-Chantal (you can see it dubbed on TV as The Blue Panther every so often) reveals the latter film ludicrously written in contrast yet wildly more mature stylistically, a riveting blend of calculated camera movement in sensual decor with brilliantly cut sequences of action employing the zoom lens. Far from stagnating in the world of commercial mystery films, Chabrol has emerged the finest new stylist in France, far superior to Truffaut (whose Bride Wore Black pales in comparison), and in many ways surpassing Godard and Resnais...

Author: By Tim Hunter, | Title: Claude Chabrol's The Champagne Murders | 8/2/1968 | See Source »

...Christine and, we realize in retrospect, with the dead Paola, are disrupted by Audran's red dress, then by the blackness of the stocking with which Christine and the other girls are strangled. The violence of the deed is muted by the awesome lushness of the images, textures of decor which make murder a forbidden ritual of the insane. Paul's awakening to the knowledge that he is innocent of murder, and his brilliantly-edited compressed journey through the two houses, shows Chabrol repeating in quick succession the camera movements and color patterns (yellow-browns and wine colors) which have...

Author: By Tim Hunter, | Title: Claude Chabrol's The Champagne Murders | 8/2/1968 | See Source »

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