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...camera movement and the characters' invariable locomotion contributes to the dynamism of conversation and exuberance of mentality singular to the New Yorker. As a result, the screen is perfused with optical changes so that the human beings appear to be animated marionettes in an ambience of rich urban decor. Inevitably, such visual dynamism provides an appropriate frame for a casual style of acting, freed of the contrivance and pomposity prevalent in contemporary comedies. The most spontaneous actor is, of course, Woody Allen himself, noted for his extemporaneous manner of rendering lines and puns. His wit seems to be spur...

Author: By Vlada Petric, | Title: A Renaissance Of American Film Comedy | 6/25/1979 | See Source »

...this England, or is it a madhouse?" a third laments. What kind of house is it? It may not have been a full house but it was certainly an appreciative one attending the opening of George Bernard Shaw's Heartbreak House. For three hours, lunacy reigned withing the austere decor of Dunster dining hall: a long-lost daughter dropped in, a practical businessman dropped out, a host of curious and spurious extramarital relations grew entangled...

Author: By Peter M. Engel, | Title: Heartbreak Hilarity | 4/27/1979 | See Source »

Wendy's, founded in Columbus only a decade ago, is a highly successful upstart. Its distinctive outlets, with their Gay Nineties decor, have been popping up all over the country. Last year alone Wendy's opened 502 units, bringing the total to 1,400. One result: the company's earnings surged 56%, to $23.2 million, on sales of $783 million. Even so, analysts say, average sales advances in Wendy's shops have slowed in recent months, and they expect that deceleration to continue. Still, Wendy's intends to stick with its limited line of hamburgers...

Author: /time Magazine | Title: Business: Squeeze in Fast Food | 3/26/1979 | See Source »

Some of the minimal work in the Biennial, like Brice Marden's wax-encaustic panels, is beautifully made, but the craftsmanship is placed at the service of no discernible idea; it is art's answer to the well-made play, a kind of systematic decor-though (mercifully perhaps) with out the metaphysical pretensions of its ancestor, Barnett Newman's work. More likable are the folded tracing-paper drawings by Dorothea Rockburne, with their spare geometry of arc and line appearing through superimposed translucencies of paper−the product, if not of passionate invention, at least of rigorously...

Author: /time Magazine | Title: Art: Roundup at the Whitney Corral | 2/26/1979 | See Source »

...short streets still show the mildly abraded middle-class homes of the past 90 years. The one long block of South Hudson Street still shows black hovels in what seems permanently frozen collapse. No sign of pork-barrel public works or decor (beyond merciful provision for human excretion), no Carter statues yet, no rumors of veiled Saudi peanut takeovers. And any conversation with a longtime resident is likely to reveal that, under some genuine annoyance with the present, the spiritual structures of the past are standing, for better or worse, and straining to survive till Jimmy is a private citizen...

Author: /time Magazine | Title: Nation: The Strong Old Rhythms of Plains | 2/5/1979 | See Source »

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