Word: dedalus
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Dates: during 1960-1969
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...green rose!" He shouted, "A green rose. Stephen Dedalus, it's a green rose." Yes, the boy had a sense for the aesthetics of the situation. He knew that the funny rubbery mountain weed by his side was not a green
STEPHEN D. is Irish Playwright Hugh Leonard's attempt to dramatize James Joyce's autobiographical tale of Stephen Dedalus. While the richly lyrical Joycean prose pleases the ear, the play is a series of vignettes that fails to bring to life the Artist as a Young Man who vows to "forge the conscience of my race" in "silence, exile and cunning." While Stephen Joyce (no kin) gives a competent performance as the writer-hero, Stephen remains dead, alas...
STEPHEN D. is Irish Playwright Hugh Leonard's attempt to dramatize James Joyce's autobiographical tale of Stephen Dedalus. While the richly lyrical Joycean prose pleases the ear, the play is a series of vignettes that fails to bring to life the Artist as a Young Man falling from grace and faith in the fatherland and rising to meet the challenge of the world. While Stephen Joyce (no kin) gives a competent performance as the writer-hero, Stephen remains dead, alas...
...naturalistic plane, the story is relatively easy to adapt. It merely describes in numbingly minute detail a few ordinary things that happen on June 16, 1904, in the lives of three people in Dublin: a young poet-teacher named Stephen Dedalus (Maurice Roeves), a middle-aged Jewish ad salesman named Leopold Bloom (Milo O'Shea) and Bloom's erogenous wife Molly (Barbara Jefford). Joyce overlaid his simple story with symbolic parallels, some mythological and some psychological, that are more difficult to photograph. Stephen, for example, is Telemachus, Bloom is Ulysses, Molly is Penelope, and the events...
...which life prefigures art. Joyce's brief and platonic affair with a young Swiss woman, Martha Fleischmann, is replayed in some detail in the Bloom-Gerty McDowell episode in Ulysses. The few letters from Joyce's rakehell father have all the style and fresh idiom of Simon Dedalus in the book. And Molly Bloom's long, affirmative soliloquy comes to life in the letters of his wife, Nora-artless, rambling and totally innocent of punctuation, syntax or correct spelling...