Word: dedalus
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...breaks all of the rules of traditional narrative prose. Viewpoints shift suddenly from one character to the next; punctuation is abandoned; there is no coherent sequence of time and events. One of the most unique elements of the novel is the elaborate stream of consciousness Joyce infuses into Stephen Dedalus and Leopold and Molly Bloom--even the slightest external stimuli summon up old memories, excite new thoughts, and create wild patterns of free association...
...film, unable to cope with the expansive length of Joyce's tour de force, concentrates on three of its most important sections: the separate appearances of Dedalus and Bloom and their subsequent meeting; their romp through Nighttown, Dublin's Combat Zone; and the concluding soliloquy of Molly Bloom. Despite the fact that the film switches the novel's setting to Dublin in the mid-sixties, it remains tolerably faithful to the spirit of the original. But it lacks Joyce's intensity; it can go no further than the flat visual presentation of events (particularly inadequate) since Joyce--almost blind--evoked...
Cranly was a friend whom Dedalus rejected in Portrait of an Artist as a Young Man, just as he will later reject Mulligan. The description is not complete (it is not designed to be), but it is more effective than the full front all shot of Mulligan in the movie, which in its lack of focussed detail adds nothing to the dialogue...
...hard to imagine college students who are caught up in the film-as-film trip using films made from novels as entertaining forms of learning. All they have to do is skip the reading and use them as a kind of celluloids Monarch Notes. As for Ulysses, Stephen Dedalus refers to "the cracked looking glass of a servant" as a symbol for Irish art. It's also an appropriate symbol for Ulysses the movie--a broken reflection of an inimitable world...
...night of June 16, 1904, Leopold Bloom and Stephen Dedalus went on their epic crawl through Dublin's Nighttown whorehouse district-the cuckold Bloom in his extravagant hallucinations of sexual heroism and abasement, the church-dazed intellectual Stephen in a nihilistic trance of guilt. Although James Joyce wrote the Nighttown section of Ulysses in the form of drama, his triple-bottomed language does not translate easily to the stage. It may need the stability of the written page to hold...