Word: deeded
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Dates: during 1960-1969
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...girl's grandfather, Odreck Kasoci, had sought out Elard to get rid of the annoying child because Elard was well known in the neighborhood as a "magic man." and therefore qualified to deal with the problem. Odreck agreed to pay $13.50 for the assassination, but when the deed was done, he reneged. Chipandale sued in a native court for his fee-and won. But a government policeman happened in on the proceedings and reported...
...celibate, Mass-celebrating monk styling himself a Lutheran? The Great Reformer of Wittenberg, who by word and deed rejected celibacy, the Mass and monasticism, would have flown into one of his typical Teutonic tizzies. Neither Catholic fish nor Protestant fowl, "Father" Kreinheder represents a syncretistic mishmash equally offensive to both. One wonders if he has a mezuzah on the doorpost of his monastery just to be sure all bases are covered...
...think a truly enlightened policy on the part of the United States should involve a clear distinction between the two anti-Castroisms," Boersner explained. "If the United States would dissociate itself in word and deed from the people like Batista and the reactionary economic interests, making clear it does not wish to re-establish in Cuba the system that prevailed before the 1959 revolution, I believe the vast majority of Americans would support your country in sanctions toward Cuba...
Salgueiro's theme this year is the tale of Dom João Fernandes de Oliveira, a Portuguese nobleman who arrived in Brazil in 1761 with a royal deed to Brazil's richest diamond mine, Tijuco, in the landlocked interior state of Minas Gerais. To Dom João's castle, Brazil's most aristocratic mothers brought their loveliest daughters. But Dom João spurned them all for a Negro slave girl named Chica da Silva. Dom João fell madly in love, bought Chica and installed her as head of his household...
Though The Crucible is a foul deed, the New England Conservatory Opera Department and the Conservatory Symphony Orchestra gave life to parts of this performance, its New England premier. In Act I, Tituba (Sandra Provost) made the most of describing her encounter with the devil. In Act III, Abigail Williams (Linda Phillips) made the court room scene, in which demons appeared to her, fun; a dull, dull text quashed her immediately. Given fatuous parts, many of the other singers (Mary Liverman, Ivan Oak, John Ring, Mary Lou Sullivan, and Robert Donaldson) strove mightily to overcome them. The set was imaginative...