Word: deejaying
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Role-playing has a long history in pop music. In the 1950s, a Beaumont, Texas, deejay named J.P. Richardson stepped into his on-air radio persona, the Big Bopper, and scored a hit single, Chantilly Lace. And in the 1970s, David Bowie took on the role of Ziggy Stardust, an otherworldly rock-'n'-roller. Brooks makes it clear he's just playing a role, not living it or attempting some full Andy Kaufmanesque submersion. He may have recorded a rock CD, but he makes no claims that he's a rocker. "I'm a country artist," he says, "and very...
...biggest lineup, including pro wrestling, tech programs and hard-to-find music. But browsing the programs was as underwhelming as sampling those vast breakfast buffets in Vegas hotels. The techno, reggae and hip-hop music programs were fun to listen to, but the video seemed redundant: eyeballing a deejay is dull stuff. A space show, Cosmic Visions, had a good documentary about the Cassini mission to the outer planets, but it hardly seemed original. And the chat rooms on the site were almost always desolate...
...show's title came from a song by rapper Method Man; the show's spirit came from hip-hop too. Rock, dressed in black, stalked the stage, barking jokes in a rough cadence somewhere between a Baptist preacher and RUN-D.M.C. Like a hip-hop deejay, Rock sampled the personas of the comic greats he admired--Gregory's political smarts, Richard Pryor's scatological eloquence, Allen's nebbishy charm--and mixed them into something new. "I'm a rap comedian the same way Bill Cosby is a jazz comedian," says Rock. "Cosby's laid back. I'm like, bang...
...month before her nuptials to Prince Edward, SOPHIE RHYS-JONES received an unsolicited gift from the British tabloid the Sun: an 11-year-old topless photo of herself splashed across the paper's inside pages. The photo shows Rhys-Jones' former boss, a radio deejay, lifting her bikini top. Despite the unorthodox nature of the office high jinks, the two were apparently not romantically involved. Outraged reaction to the photo's publication came from the usual corners, such as Buckingham Palace, and curiously sanctimonious ones, such as rival tab the Mirror. The not entirely chagrined Sun published a full-page...
Despite the horrible club space, the unexpectedly poppish club deejays and the fact that KRS performed for only half an hour, the show was cool. Biz Mark got on the tables to play some breaks and some of his own instrumentals, beat-boxing and rhyming into the deejay mic at times to get everybody amped. The Diabolical has enough classics with thumping beats and memorable flows to satisfy any hip hop crowd. Much later, the Blastmaster KRS stepped to the mic to deliver a dope though way too short show. He kicked no more than a verse of each...