Word: deepest
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Dates: during 1970-1979
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...female supporters because of his views on sex rotes. He is right to be afraid. His argument, that men and women are temperamentally different and should adopt different social roles, nostalgically echoes Don Juan, Uncle Tom, and white supremacist paternalizing. Spock says, "I believe women are designed in their deepest instants to get more pleasure out of life when they are not aggressive. To put it another way. I think that when women are encouraged to be competitive too many of them become disagreeable." He thinks problems arise between the sexes when temperamental differences are not kept clear. Since women...
...minutest details of each situation play an essential part. That the film's second section takes place at home has the deepest possible bearing on the emotional climate of the relationships then developing. The world of the film contracts and its relationships become less existential, more archetypal, as they turn to the family: man, wife, and son. Here again scenes are played less outrageously than in earlier Chabrol, so that the child who sees through the superficial amicability of his parents' relationship reacts to his intuitive insights only indirectly. His inability to finish a picture puzzle, a metaphor...
...automakers announced indefinite layoffs for 5,200 workers. The Government reported a 6% January drop in durable goods orders, the sharpest decline since 1964; and the index of leading indicators dropped 1.8% in January, its largest decline since October 1957, when the economy was heading into the deepest postwar U.S. recession...
...gullies get deepest in those long stretches between musical routines when the production falls back on Fred Grandy's script. Loosely modeled on a "Danish" myth of monsters and monster-slayers, Grandy's book offers no more and no less than the formulaic plot on which Padding productions usually hang their gags, lyrics, and kick-line. Crisis strikes the oversexed and overhung court of King Holroes the Horney of Denmark (Jack Olive) when the man-eating Grendel family, monsters from the nearby Black Lake, emerge to lay claim to Hotroes' frontheavy daughter, Princess Boobhilde (Line Caplan). With the kingdom paralyzed...
...greatest strength of surreal "anti-theater" is, in point of fact, intensely theatrical: visual images that slice faster than pain can follow to the deepest resources of the imagination. No one else's emblems of the irrational at the core of man-not Jean Genet's black white Negroes, not Samuel Beckett's ashcans, not even Jerzy Grotowski's Holy Auschwitz-are quicker or more deadly than Eugene lonesco's best: when he bothers to aim, he can knock the cigarette from one's lips at 40 paces. As Death and the nun came...