Word: deeps
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Dates: during 1930-1939
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...Untouchable] leader was rather critical of Christianity's constant emphasis upon personal experience at the expense of any wider reference. 'Why have you not seen the importance of a religion that reaches out into all life and all relationships?' he asked. Continuing, he declared with deep feeling, 'If you are going to compromise with evil conditions while you stress personal religion exclusively, I tell you now I am not with...
Father: From a Historical point of view, we may speak after the manner of men - as Spirit without a BODY, when the Spirit moved out on the Face of the deep, according to the Bible. Professor: When was that? Father: According to Bible History - Four Thousand and Four Years. B. J. better known...
This story of the Arizona desert about a man who has last found something worth dying for has all of the deep power of "Berkeley Square" without the aid of costumes. It is one of Anderson's greatest talents that he is able to present the deepest social and psychological problems in a modern setting. In this case Bette Davis is the daughter of a filling station owner and Leslie Howard is a refined hobo...
...times when the proceedings bog down to a somewhat tiring trot, but in general the situation are amply amusing. Barbara Brown has taken over Miss Gladys George's role and does it up in generous fashion. She coos, whimpers, dramatizes, wiggles, and occasionally slips into a very amusing deep-toned vulgarity of speech. Her language is not sufficiently secure to prevent her from "commuting with her soul," contrasting the interior of the house with the "ulterior," and being quite laughable indeed. George Blackwood plays Bud nicely and the rest of the cast is eminently satisfactory...
...defeat-either one may distort one's personal standard of values and produce disillusionment. But although individual sorrows are unfortunate, I feel that they offer the only true subject for tragedy. The tragedy of the 'forgotten man,' of economic misfortune, can never reach great heights. The drama of deep personal woe, which is nobody's fault, but which comes from an inevitable accumulation of adversities, is the only legitimate subject for real tragedy...