Search Details

Word: deeps (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...root as a full-grown shoot. He had split away from Huey in 1931, calling his brother "a big-bellied coward." Earl was a gravel-voiced, bitin', scratchin' man. He once nearly bit an antagonist's finger off. On another occasion, he sank his teeth so deep in the neck of a state representative that the legislator took a shot of lockjaw serum...

Author: /time Magazine | Title: LOUISIANA: Bitin' Man | 2/2/1948 | See Source »

...staff from all parts of the country, and changes the staff every year. Thus the paper has a broader, less clearly defined policy, and one that is liable to change from year to year. Although this is in some ways a disability, it prevents the CRIMSON from gouging deep ruts of ideas or style...

Author: NO WRITER ATTRIBUTED | Title: Seventy-Five | 1/30/1948 | See Source »

Lean, velvet-voiced Eric Sevareid quit as CBS's Washington bureau chief to give full time to newscasting, and tossed a few hard words over his shoulder: "Radio reporting is superficial [and] sloppy. The stream runs purer than in newspaper reporting but not so deep. Radio reporters . . . know that they won't be able to use more than a few lines in most stories [so] they quit digging. I think I'd be happier writing for print...

Author: /time Magazine | Title: Radio: The Radio Set | 1/26/1948 | See Source »

...last week and flew down to San Diego, where Atlas Corp.'s Floyd Odium was inspecting Consolidated Vultee Aircraft Corp., one of Atlas' properties. Hughes was interested in another Atlas Corp. property: RKO. Since the dark days of 1935 when RKO and its chain of theaters were deep in the red, Atlas had gradually bought up 929,020 RKO shares, a controlling (24%) interest. Atlas Corp.'s management, and the war, had put RKO healthily into the black. Now Odium wanted to get out and take his profit...

Author: /time Magazine | Title: Howard or Bob? | 1/26/1948 | See Source »

...could no longer afford mobs and spectacles. Nor could anyone else, unless the mob included one of the few top stars (Bing Crosby, Ingrid Bergman and Betty Grable) whose appearance usually guaranteed a profit. Nor did Hollywood think it could film any plots or take up problems that cut deep into contemporary life. Such films might be branded as "subversive...

Author: /time Magazine | Title: Paradise Lost? | 1/19/1948 | See Source »

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