Search Details

Word: deeps (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

Going with the wind. Brown took a commanding 2-1 lead five minutes deep into the final quarter. With only seven minutes remaining. Ben Phinney came through with the tying tally for Harvard, after taking a pass from Warner in front of the goal...

Author: NO WRITER ATTRIBUTED | Title: JV Booters Wrestle Brown to 2-2 Tie; Freshmen Outlast Exeter in Storm, 4-0 | 10/23/1969 | See Source »

...dark deserted room, showing her surrounded by space seventy feet below. Unlike the usual Hitchcock high-angle, this shot expresses with a sort of warm detachment the romantic dimension of her personal anguish. The same attitude follows her and her uncle through the darkening stages of a deep love-attachment. Throughout they are true personalities, not walking abstractions. In parallel, the plot repeatedily breaks formulas to include sequences invented by a sympathetic, intuitive reaction to the personal material of the plot...

Author: By Mike Prokosch, | Title: The Moviegoer Hitchcock's Career | 10/22/1969 | See Source »

...react to characters intuitively, immediately, and once for all, only a more general analysis of character delincation explains feelings about the characters. One experiences Veytigo not as the series of moral transformations Wood accurately describes, but as an all-out romance whose ravishingly beautiful hero and heroine glide through deep, ideal settings. To understand this experience one must look to the method of the film, considering its content as a consequence of its means of expression...

Author: By Mike Prokosch, | Title: The Moviegoer Hitchcock's Career | 10/22/1969 | See Source »

...Shadow of a Doubt moral interplay was expressed in cross-cutting between characters. In Under Capricorn moral interplay becomes a complex flow of all the characters' emotions to a single climax and resolution. The graceful motion, deep color tonalities, rich settings unite with the characters' moral paralyses. One is completely involved in their struggles to overcome paralysis. The spaces and movements of the film are integrated as the characters' attempts to fufill their desires, now a theme beyond the person of any one character, become a part of the whole romantic setting...

Author: By Mike Prokosch, | Title: The Moviegoer Hitchcock's Career | 10/22/1969 | See Source »

...little more substance to one central point: Hyland's Center for International Affairs, that stout arm of the imperialist military-industrial complex, is a fantasy; it simply doesn't exist. As the running dog of a sinister international conspiracy, the real Center would be in very deep trouble indeed. Take some of its activities over the past few years...

Author: By Center FOR International affairs, | Title: Vernon Defines the Role of the CFIA | 10/22/1969 | See Source »

Previous | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | Next