Word: deeps
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Dates: during 1960-1969
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While the Merrimack defense bottled up the front of the net with sheer numbers of fullbacks and halfbacks, Harvard's wings easily moved the ball along the sidelines. Once in the deep corners, the Crimson's outside linemen spent the afternoon floating passes into the center or driving directly in for a shot...
...team, after stopping several deep Holy Cross penetrations in the first half, ran up a 6-0 lead midway through the second, then watched it vanish through two blocked kicks and an intercepted backfield pass...
...deep psychological depression has hit the student movement this year. After the first round of rallies at the "red" department of sociology at Nanterre the past autumn, one marxistleninist who had never before talked in Freudian terms lamented to one old comrade, "you know what's wrong? Une maladie psychologique." A girl, an influential member of March 22. which fell apart over the summer, said simply, "I'm depressed." The result was political action by rote. Uninspired, the students mechanically applied the old tactics of May. They called the professors and cops dirty names, they occupied buildings and boycotted classes...
...EVENTS of last Spring, as well as those of the past week, have demonstrated that there exist within Harvard University issues which, if not considered and resolved in time, are capable of causing deep and violent division among members of the University. Last April, the Faculty of Arts and Sciences showed its willingness to come to grips with issues of this sort: its resolutions on ROTC and Afro Studies restored a measure of unity to a university then bordering on complete break down. Now, at its first meeting on Tuesday, it is time for the Faculty to begin the searching...
...scenes in prison cells, even montages using newsreels of bombing raids. But it's his visual style more than his settings that makes General della Rovere profoundly realistic. Another director might take the space of a certain scene as a fixed reality, and hold his camera in a long deep-focus shot while dramatic action takes place nearer or farther from the camera. Rossellini's spaces are no less real, but he reveals the truth of a scene by following the characters with his camera, strengthening certain actions by showing them close up and excluding others from the frame...