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...maintain an active wait-list.” And this is nothing compared to the bewildering array of “comps” that await students after they register. Sometimes it seems that what actually binds all Harvard’s 6,000-plus undergraduates together is their deep passion for applying to things. “Comp” itself is a term of indeterminate pedigree. The Crimson claims that it stands for “competence”; other organizations use it as a stand-in for “competition.” Yet whatever...

Author: By Alexandra A. Petri, CRIMSON STAFF WRITER | Title: Comping Harvard | 12/10/2007 | See Source »

...While the Crimson may find its way into later rounds of the ECAC playoffs with its current level of play, a truly deep postseason run seems nearly impossible without a forward establishing himself as a late-game difference-maker...

Author: By Karan Lodha, CRIMSON STAFF WRITER | Title: GET A LODHA THIS: Year of Questions Leaves Just One | 12/10/2007 | See Source »

...Gucci belt, and a green tie, his presence on stage lends an endearing quirkiness and humor to the show. Ultimately, Frankel gives his most inspiring performance in the song “Real Life,” where he explains his qualms about the corporate world to Jon. His deep, rich voice lends poignancy to the questions that he asks, and the shadows on his face powerfully reflect his inner torment. Emily B. Hecht ’11 plays Jon’s girlfriend, Susan, as well as several female extras with hilariously exaggerated personalities and accents. Although Hecht?...

Author: By Vidya B. Viswanathan, CONTRIBUTING WRITER | Title: ‘tick, tick...BOOM!’ Blows Adams House Away | 12/10/2007 | See Source »

...Creative Process,” one of Harvard’s first for-credit dance classes. A former principal dancer and artistic director of the Martha Graham Dance Company, Dakin brings to the classroom firsthand experience with the iconic modern dancer, to whom she refers with personal familiarity and deep respect. It is also not difficult to see why Harvard might have chosen Graham’s work as an initial bridge between academia and dance. “There’s an intellectual and a literary aspect to Martha’s work that has always been fascinating...

Author: By Amanda C. Lynch, CONTRIBUTING WRITER | Title: Dakin Sounds Off on Harvard Dance Scene | 12/7/2007 | See Source »

...could-a-monkey-and-a-typewriter-reproduce-Shakespeare trap, that the author will try to quantify artistic expression into a set of scientific facts and data. But Sacks is not interested in reducing musical creativity to the firing of neurons or the flowing of hormones. He has a deep sense of respect for the unique possibilities of artistic expression and claims, quoting Schopenhauer’s assertion that “the inexpressible depth of music [is] so easy to understand yet so inexplicable.”Indeed, Sacks never really provides a scientific answer to the question of what...

Author: By Jacob M. Victor, CRIMSON STAFF WRITER | Title: Sacks Discovers Harmony In Music and Mind | 12/7/2007 | See Source »

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