Word: deere
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...Faye Dunaway and Peter Finch's "business lunch" in Network, the senator and the lawyer share information about their upcoming confrontation with the Supreme Court nominee while performing stress tests on their new Posturepedic. Streep, tackling with stunning confidence an entirely different role from that she played in The Deer Hunter, evinces a magnetic attraction to power. In her first conversation with Tynan, she says, "When I think of the splash you could make with this, I just get weak in the knees...
...longer. In fact, if the Guinness Book of World Records ever devises an entry for History's Most Expensive Minor Footnote, the frontier fracas may find itself at the top of the list. Credit for the elevation goes to Michael Cimino, 38, the Oscar-winning director of The Deer Hunter. Cimino's new film, Heaven's Gate, will dramatize the Johnson County War as lavishly as his last film did the war in Viet Nam, but the price will be steeper. The Deer Hunter was a $12 million movie. By the time Heaven's Gate...
...working as well as spending. The director pores over the day's takes until after midnight and sleeps only three or four hours a night. "I have no private life," maintains Cimino, who is a bachelor. Says the film's cinematographer, Vilmos Zsigmond (who also shot The Deer Hunter), "Michael fell in love with this film...
...Gate. Cimino, a short (5 ft. 6 in.), shy, plump New Yorker, gets the most out of his cast and crew. A scene in which Kristofferson lashes out at a crowd with a bullwhip had to be shot 53 times. Says Walken, who won an Oscar for The Deer Hunter: "There are extraordinary moments with him. He takes you to places that make the whole event special...
Heaven's Gate, like The Deer Hunter, is a morality play that does not aspire to strict factual accuracy. To Cimino the new film's historical period is "not terribly different from the late 1960s. It was a period of turmoil. There was a sense of guilt and responsibility in the country." This perhaps is Cimino's real obsession: to analyze the psyche of a society in conflict. He hopes soon to look at the 18th century, in a film about the Sioux culture. That movie, Cimino insists, will be told in subtitled Indian dialogue. No doubt...