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...ceremonies in Los Angeles' Dorothy Chandler Pavilion, John Wayne himself came on. The old martial role model, looking gaunt but energetic, his stomach and one lung gone to cancer, presented the Oscar for Best Picture of 1978. It went to another Viet Nam movie, The Deer Hunter, Director Michael Cimino's story of young Ukrainian-American steelworkers from Clairton, Pa., who play pool, drink beer, watch football on TV, get drunk at a wedding, hunt deer and then go off to fight the war in 1972. It was the fifth Oscar for The Deer Hunter that night...

Author: /time Magazine | Title: Nation: Viet Nam Comes Home | 4/23/1979 | See Source »

...heat is by no means gone, of course. Outside the awards ceremonies, a remnant group of Viet Nam Veterans Against the War shouted protests about The Deer Hunter, which in style and message is a world away from Coming Home. The vets echoed the criticism of many old antiwar activists, who regard Cimino's cartoon treatment of the Vietnamese (played in the movie, incidentally, by Thais) as screaming sadists, much given to atrocity. Fonda called The Deer Hunter "a racist, Pentagon version of the war" -a judgment she reached without having seen the movie. Gloria Emerson, who covered...

Author: /time Magazine | Title: Nation: Viet Nam Comes Home | 4/23/1979 | See Source »

Coming Home has at least the charm of its political clarity; it is a straightforwardly and movingly antiwar movie that is saved from being a mere tract by its rich performances and its compassion for the Americans who fought and suffered in the war. The Deer Hunter is far more elusive-more forceful, less coherent, more artistically ambitious but also dangerously close to political simplism, historical inaccuracy and moral kitsch...

Author: /time Magazine | Title: Nation: Viet Nam Comes Home | 4/23/1979 | See Source »

...fascinating difference between the two films is that The Deer Hunter presents a version of the American experience in Viet Nam that is utterly at variance with the view, widely held among intellectuals, of barbarously overarmed Americans, a nation of William Galleys, doing battle against the frail, gentle, long-suffering Vietnamese. Cimino's victims are the rambunctious guys from Clairton, blue-collar heroes who took their wholesome patriotism to Viet Nam and there found themselves alone, morally adrift among savage Southeast Asian exotics who are forever forcing them to play Russian roulette. There is no record or recollection, incidentally...

Author: /time Magazine | Title: Nation: Viet Nam Comes Home | 4/23/1979 | See Source »

Coming Home and The Deer Hunter, in any case, are only the beginning. Still to come is Francis Ford Coppola's long delayed $35 million Apocalypse Now, opening in August. Coppola has based the film on Joseph Conrad's Heart of Dark ness, translating the tale of savagery and evil from the Congo to Viet Nam. There, Marlon Brando, playing the Mr. Kurtz character, is a renegade Army colonel who has taken over a remote province and set up his own war against the Communists. Captain Willard (Martin Sheen) is sent to assassinate the rebellious Kurtz. The movie...

Author: /time Magazine | Title: Nation: Viet Nam Comes Home | 4/23/1979 | See Source »

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