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Fred Carlson is a stocky, sandy-haired man whose yellow rain suit gives him the appearance of a fire hydrant. He is standing in the doorway of the deer-checking station at Clinton, N.J., watching a cold rain that has fallen intermittently throughout the day. As a pickup truck driven by a man in a bright orange cap and jacket pulls up to the station, he puts down his soft-drink can, slips on a pair of heavy rubber gloves and steps out into the wet to watch while the team of state employees swing into action. The routine, already...

Author: /time Magazine | Title: In New Jersey: Venison and Bloody Fenders | 1/15/1979 | See Source »

...Deer Hunter. The first film that tries to describe all the contradictions of American involvement in Viet...

Author: /time Magazine | Title: Cinema: YEAR'S BEST | 1/1/1979 | See Source »

Williams has no vision of deer and antelope, however. "We'll have ambassadors and citizenship," says he. "We'll put in a gambling casino and a TV station, and we'll register ships." He also hints at tax-free companies and Swiss-style secret bank accounts. What if the U.S. and Mexico interfere, as they surely will? "I'll take it right to the World Court," says Williams. "It takes them 20 years to rule on anything, and if worst comes to worst, I'll have my country for 20 years...

Author: /time Magazine | Title: AMERICANA: Birth of a Nation | 12/25/1978 | See Source »

...wagering South Vietnamese in smoky Saigon back rooms. Besides serving as an expressionistic picture of the capital's profiteers, the roulette game becomes a metaphor for a war that blurred the lines between bravery and cruelty, friends and enemies, sanity and madness. Unfortunately, other conceits in The Deer Hunter damage the film. A first-hour wedding ceremony, designed to establish the tribal rites of Clairton, is absurdly repetitive. The portentous sequences of the men hunting deer back home turn a literary device into a crutch...

Author: /time Magazine | Title: Cinema: In Hell Without a Map | 12/18/1978 | See Source »

...film's ending, in which the major characters spontaneously sing God Bless America at a funeral breakfast, may give audiences some pause. The moment is powerful, all right, but does one laugh or cry? It is hard to do either. Like the Viet Nam War itself, The Deer Hunter unleashes a multitude of passions but refuses to provide the catharsis that redeems the pain. -Frank Rich

Author: /time Magazine | Title: Cinema: In Hell Without a Map | 12/18/1978 | See Source »

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