Word: deere
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...says repeatedly hit her. After divorcing him, she explains, she was wary of hooking up with another hard-drinking, abusive "good ole boy." But Melanie, 38, was attracted to Darryl, 36, who showed a gentle interest in her, taking her dancing and teaching her how to hunt deer. Others were less pleased about their getting together. Some of their black neighbors in the rural community of Branchville, Ala.--particularly the women--were so angry about the marriage that they picketed the couple's home and openly insulted Melanie, calling her "white trash." Darryl, who admits to having had a temper...
...corporate empire awaits. Located in New Albany, Ohio a small suburb of Columbus, the Abercrombie main office is tucked away from big city life in a pastoral setting fit for an Abercrombie photo shoot. It’s a 20-minute ride down a long windy road replete with deer and bunnies—one can just imagine half-naked twentysomethings frolicking, cavorting and Greco-Roman wrestling amidst the pines. The road ends at a huge office building situated on acres of land. As the raging bonfires located throughout the property (maintained by a professional fire attendant to create...
Nevertheless, Oedipal conflict certainly plays a role in the subtext of the film. Hallam’s spooky taunting of his victims, hunters who search for deer with high powered scopes, applies as much to Friedkin’s directorial predecessors as to the trigger-happy “businessmen from Medford” who become Hallam’s first victims: “There’s no reverence in what...
...were like deer in the headlights [in those losses],” Delaney-Smith said. “We played scared. We were quite injured at the time and even though there were bodies out on the floor, there are limitations because of injuries and coming back from injuries...
...pages, many of which Mailer sutured together into an article in a late December issue of The New Yorker: “the most powerful leverage in fiction comes from point of view” (found in an analysis of the last draft of his third novel, The Deer Park); “film is best when ambiguous” (found in an essay on writing for the silver screen); “your material only becomes valuable when it is existential, by which I mean an experience you do not control” (found in an account of Mailer?...