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Early in "The Last of the Mohicans," we see pioneer Natty Bumppo sprinting through the woods of upstate New York, flintlock rifle in hand. The light is dappled, the deer are leaping, and the whole scene is actually being shot on the parklands of a Vanderbilt mansion in the heart of North Carolina. Poor Nathaniel doesn't have any real woods to roam anymore. Instead, he and his Mohican companions are trapped in a contrived, expensive prison: a brainless, phony, bombastic sell-out that reeks of everything evil in Hollywood. It is a depressing piece of work...

Author: By Thomas J. Scocca, | Title: EVIL IN HOLLYWOOD | 10/1/1992 | See Source »

Cooper's Natty was in his forties and very low-key; he liked to hang out with Indians and shoot a deer now and then. Not very marketable. The new-style Natty Bumppo (Daniel Day-Lewis) has had so many heroic stereotypes packed into him that he seems nearly schizophrenic. New Natty is young and hot-blooded; he makes speeches about independence from England (at a time when dupes like George Washington were still supporting the Crown), schmoozes with settlers and isn't averse to clasping a woman in his arms and breathing heavy. Day-Lewis alternates between agitation...

Author: By Thomas J. Scocca, | Title: EVIL IN HOLLYWOOD | 10/1/1992 | See Source »

Oops. Wrong boring American classic. But Longfellow's lines are appropriate nevertheless to a consideration of Michael Mann's ravishing realization of The Last of the Mohicans. From its first images of a deer hunt to its last shots of hero and heroine gazing westward toward mist-shrouded mountains, the film's sensuous evocations of an Arcadian wilderness draw us into a remote realm -- just as the need to penetrate the majesty and mystery of that landscape draws its characters irresistibly on to fates ennobling and tragic...

Author: /time Magazine | Title: Return to A Lost World | 9/28/1992 | See Source »

Helen Schneider's Frida is stunning and exhibits amazing range: tempestuously angry, hurt and betrayed, laughing and cavorting, she lays claim to the stage, the spotlight, the audience. Even when the stage is crowded with shadow puppets, or wounded deer, or an assortment of Rockefellers and Fords, it is Schneider who is magnetic and maintains a mythic aura...

Author: By Vineeta Vijayaraghavan, | Title: Play Depicts Art as Life Source for Mexican Legend Frida Kahlo | 9/24/1992 | See Source »

...stem from the fact that my sister's roommate happens to be named--no joke--Bambi and comes from an obscure hamlet somewhere in Indiana. Indiana is actually a good school, especially for the performing arts, which is why Karen chose the place. And Bambi, like her namesake the deer, is reportedly very sweet...

Author: By Kenneth A. Katz, | Title: Hey, Frat Boys, Don't Touch My Sister | 9/21/1992 | See Source »

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