Search Details

Word: deft (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...This Is New York. A deft version of Ring Lardner's The Big Town, with radio's Henry Morgan (TIME...

Author: /time Magazine | Title: Cinema: Current & Choice, Jun. 7, 1948 | 6/7/1948 | See Source »

...York. Ten thousand people, led by the President of France, Vincent Auriol, jammed through the halls on opening day. Some of them found their neighbors' gowns more attractive than the pictures. The acres of art on exhibition (2,000 paintings, 200 pieces of sculpture) were almost uniformly slick, deft and academic...

Author: /time Magazine | Title: Art: Paris Pin-Up | 5/10/1948 | See Source »

...poor wretch" who was born in Paris in 1900 was to become Novelist Julian Green, an expatriate American who has written his moody psychological novels in French. Sister Anne Green, who never married, has also spent her life in France but writes her deft, frothy novels in English. With engaging candor and none of the moodiness of her famed brother, she tells in With Much Love the story of the family's first 21 years in France. Few books of family reminiscences have been written with such obvious joy and communicate so much of it to the reader...

Author: /time Magazine | Title: Books: Nostalgic & Nice | 4/26/1948 | See Source »

Water color is one medium at which Englishmen have generally excelled; Nash's handling of it was traditionally deft and cool. He turned his back on the cities and factories, and painted in the serenity of his own garden and his grey-carpeted studio. Almost no human figures marred the privacy of the world he painted. Aside from his technique, and a faintly romantic air, there was nothing traditional about that world; Nash's water colors and oils alike were halfway abstract. "Nature we need not deny," he once explained, "but art ... should control...

Author: /time Magazine | Title: Art: Private Painter | 4/12/1948 | See Source »

...Henri-Georges Clouzot, who directed the film, have taken shrewd advantage of rich possibilities. They have put such intelligence into their melodrama that it often gives the illusion of transcending melodrama. Their film has speed, energy and tension that are rare in French movies; their character sketches are deft, searching and resourcefully visualized. Their keyhole portrait of a community is a caricature, but a remarkably effective...

Author: /time Magazine | Title: Cinema, Also Showing Mar. 22, 1948 | 3/22/1948 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | Next