Word: dehn
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Dates: during 1960-1969
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OREGON SHAKESPEAREAN FESTIVAL, Ashland (July 19-Sept. 7). The Tempest, Romeo and Juliet, Twelfth Night and King John are the varied fare of the Elizabethan theater's 29th season. Virtue in Danger, an updated romantic musical escapade revived from the 17th century by Screenwriter-Lyricist Paul Dehn and Composer James Bernard, will serve as the matinee, a light after-lunch petite farce...
Additional segments were supplied by London Bureau Chief Curtis Prendergast, who reported on a mountain-climbing trip with Prince Charles in Wales, and Correspondents Honor Balfour and Monica Dehn, who contributed a study of the British monarchy. The cover story was written by Bob McCabe and edited by Jason McManus, with the help of Researcher Mary McConachie. All loyal Scots by background, they brought to the story a basic sympathy for their fellow Celts...
WALTON: THE BEAR (Angel). British Composer William Walton premiered this one-act gem only a year ago. He was fortunate in finding an excellent librettist (an increasingly rare breed of writer) named Paul Dehn, who based his freewheeling lyrics on Chekhov's farce. Walton's eclectic styles are more than equal to the idiotic but entertaining plot about Popova, a widow who so enrages a creditor that he challenges her to a duel, but they suffer the fate of operatic lightning-love and fall into each other's arms. The work is laced with musical and verbal...
...Taming of the Shrew. "We intend to make Shakespeare as successful a screenwriter as Abby Mann." Thus spake Director Franco Zeffirelli last year when he began filming The Taming of the Shrew. The screen credits maintain the mock-the-bard tone: script billing goes to Zeffirelli, Paul Dehn and Suso Checchi D'Amico, with a coy acknowledgment "to William Shakespeare, without whom we would have been at a loss for words." The irreverence in this case is less a shame than a sham. Despite the disclaimer, Zeffirelli has succeeded in mounting the liveliest screen incarnation of Shakespeare since Olivier...
Scenarist Paul Dehn, who also wrote the script for Spy, this time too often jumps the main track of the tale to lollygag along a branch line, and Director Sidney Lumet (The Group) has either miscast or misdirected some of his principals. Mason and Signoret, however, are pathetically impressive as a couple of mice wandering in a maze designed for rats. And as a whole, the film convincingly elucidates in a modern instance why Dante consigned traitors to the very pit of hell. Le Carre similarly perceives treason as a spiritual attitude underlying the political act. His traitors are liars...