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Francisco Franco has managed to stay on top in Spain for 31 years by adroitly balancing generals and bishops, Opus Dei technocrats and Falangists. Nonetheless, the real basis of his power has been the fidelity of the Spanish army. Last week, as the tense country awaited the outcome of the stormy trial of 16 Basque terrorists, the uniformed leaders of Franco's praetorian guard closed ranks around the Caudillo-so tightly, in fact, that it was hard to tell whether they had actually pulled a coup...

Author: /time Magazine | Title: SPAIN: Homage to the Hard-Liners | 1/4/1971 | See Source »

...press, the labor unions and the universities-or face a military coup. There were signs last week that the hard-liners had summoned up the fading Falange to battle a new target: the "technocrats." These are mostly members of the secretive but apolitical Catholic lay organization Opus Dei, whose adherents control much of Spain's commerce and communications...

Author: /time Magazine | Title: Spain: Return of the Ultras? | 12/28/1970 | See Source »

...Opus Dei technocrats are credited with the financial savvy and discipline that has pulled Spain out of the economic Dark Ages over the past 13 years. Partly as a reward, partly because Franco recognized that they alone could lead Spain into Europe and the Common Market, Franco last winter ceded to them the commanding voice in the government. The ascendancy of Opus Dei has deeply wounded the once supreme Falangists, who fought beside the Caudillo in the '30s. They vented their rage last week in front of the royal palace, shouting "Franco sí, gobierno no!"-"Franco...

Author: /time Magazine | Title: Spain: Return of the Ultras? | 12/28/1970 | See Source »

...work of art. The expensive transaction eclipsed both the previous public-auction record, $2.3 million in 1961 for Rembrandt's Aristotle Contemplating the Bust of Homer, and the record for a private sale, an estimated $5,000,000 that was paid in 1967 for Leonardo's Ginevra dei Bend, by Washington's National Gallery of Art. The buyer of the Velásquez, Alec Wildenstein, 30, vice president of the New York firm of Wildenstein, firmly denied that he was acting on behalf of any art collector. Said he: "To buy this painting at that price...

Author: /time Magazine | Title: Art: Highest Ever | 12/7/1970 | See Source »

...Mass, has an unusual approach to the piece. His interpretation was generally a novel one, filled with quick tempi and done with a bit too much fortissimo for my taste. But the piece hung together remarkably well under his direction, reaching its peaks in the Credo and the Agnus Dei. There were a few minor flaws, of course; the Kyrie went a bit too fast, the strings weakened during the Sanctus, and the horns were out of shape for the Gloria. The bass did not project as well as it could have, but this was the only real trouble with...

Author: By Michael Ryan, | Title: The Concertgoer HRO | 11/16/1970 | See Source »

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