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...liturgical music is tricky to interpret. But Karl Richter, an organist and harpsichordist as well as conductor, creates a performance that combines operatic grandeur in the Dies Irae with the religious awe attending death that is heralded by the sepulchral drumbeats at the close of the Agnus Dei. The four first-class soloists (Maria Stader, soprano; Hertha Töpper, alto; John van Kesteren, tenor; Karl-Christian Kohn, bass) enter into the spirit of their conductor's classical conception: they never struggle to achieve Wagnerian eminence of tone but modestly blend into the musical architecture. The vocal texture...

Author: /time Magazine | Title: Television: Mar. 14, 1969 | 3/14/1969 | See Source »

...Court in Massachusetts, and the Commonwealth has sued its producer, Grove Press. It is curious, indeed, that a film which has been honored in the New York Film Festival, won first prize in the Mannheim Film Festival in Germany, and two of the three prizes in the Festival dei Populi in Italy, cannot be seen by the citizens of this state...

Author: By Steven A. Cole, | Title: Psychiatry and Law: The Cost to Society | 3/27/1968 | See Source »

Reason for Secrecy. More often than not, underground churches are as clandestine as spy rings, have neither a name nor a formal organization, limit membership to a trusted few. In this sense, at least, they resemble the cells of the zealous Catholic lay organization Opus Dei (TIME, May 12). A major reason for so much secrecy is that the interfaith membership includes renewal-minded priests and nuns who fear the wrath of their bishops for taking part in illegal services.* Nonetheless, many of these clerics regard the services at underground churches as far more meaningful than Catholicism's official...

Author: /time Magazine | Title: Christianity: The Underground Church | 9/29/1967 | See Source »

...American collectors have mined it without too much duplication. Pioneer Jarves, whose collection was eventually auctioned off to cover his debts and bought by Yale for a bargain $22,000, is represented in the CRIA exhibit by a Sienese wood panel Annunciation, by Francesco di Giorgio and Neroccio dei Landi. The precise taste of turn-of-the-century Railway Heir Henry Walters is illustrated by the three exquisitely patinaed bronzes lent by the Walters Art Gallery, in Baltimore, which he founded. The spirit of J. P. Morgan, whose lavish purchases bulled the art market to unprecedented heights before World...

Author: /time Magazine | Title: Painting: Tapping the Mother Lode | 8/11/1967 | See Source »

...Gaulle rated the most elaborate welcome at the airport, including a 21-gun salute, a bigger limousine, a larger motorcycle escort. Television cameras zeroed in on him, and Roman crowds shouted, "Viva De Gaulle!" As the guests and their Italian hosts walked from a ceremony in the Palazzo dei Conservatori through Michelangelo's Piazza del Campidoglio, the other European leaders and Eurocrats trailed behind le grand Charles like captive barbarians in one of Caesar's triumphal parades...

Author: /time Magazine | Title: Europe: Ironical Anniversary | 6/9/1967 | See Source »

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