Word: delacroix
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...view at Washington's National Gallery. The phenomenal attendance at the show-124,000 people since July 1-indicates that the paintings are still as much fun to look at as they are instructive to contemplate. And in the case of the great master of the movement, Delacroix, and its modernist heirs, Matisse and Kandinsky, Orientalism remains a source of bedazzling beauty...
...transfixed its audience in the preparatory paintings for Les Demoiselles d'Avignon three generations before. No exhibition in memory has been so full of eyes (or of anuses and genitals, his other fetish objects). The late work attacks and reattacks art-history themes, figures by Rembrandt, Poussin, Manet, Delacroix, Rousseau. It is culturally saturated, as well as drenched in his macaronic, theatrical and self-mocking sexuality. And yet its obsessive project is to so generalize the image of the figure as to remove it from the sphere of "culture." Picasso hardly ever used models; every figure comes...
...Goodes, whose excruciating Fishbowl Fantasy, 1867, is crammed with everything that was worst in the taste of Victorian America). Still, it is hard to see how the difficult task of presenting 18th and 19th century American painting to its home audience, as well as to the city of Ingres, Delacroix and Manet, could have been better done. What the French will make of it, of course, is an open question, since the only premodern American artists known in France are Whistler, Eakins and Cassatt...
...meant to claim the same kind of filial attachment to Matisse that Delacroix (another household god) had to Rubens. To those whose idea of modernism was modeled on Oedipal battle, that was not enough. Hence the feeling, not yet dispelled in all quarters of the art world, that Motherwell was too French, too fluent, not hard enough on himself or his viewers. Unlike such Nietzschean contemporaries as Pollock and Still, he was (dreaded word!) "elegant," and the fact that the blackness, raggedness and restrained violence of many of his paintings invoked the tragic only made matters worse...
Many residents of Gdansk and other cities the Pope would not visit came to Warsaw to see him. Jammed ten deep along the route of John Paul's motorcade, they raised homemade signs naming the cities from which they had come. Like the heroine of a Delacroix painting, one robust woman boldly thrust a banner reading GDANSK WELCOMES YOU toward a column of police as the procession filed past. The crowd roared its approval...